Monthly Archives: September 2017

Tone 58 | Philip Jeck – “Iklectik” OUT TODAY

CD and download – 1 track

Release date: 22nd September 2017

Artwork and photography by Jon Wozencroft
Recorded and mastered by Jeff Ardron of St. Austral Sound

The 6th in the series of limited edition compact disc live recordings (after Thomas Köner & Jana Winderen, Simon Scott, Bethan Kellough, Yann Novak, Robert Crouch) brings Philip Jeck live at Iklectik, London.

Philip Jeck studied visual arts at Dartington College of Arts in the 1970’s and has been creating sound with record-players since the early 80’s. He has worked with many dance and theatre companies and played with muscians/composers such as Jah Wobble, Steve Lacy, Gavin Bryars, Jaki Liebezeit, David Sylvian, Sidsel Endresen and Bernhard Lang.

He has released 11 solo albums, the most recent “Cardinal”, a double vinyl release on Touch. “Suite”, another vinyl-only release, won a Distinction at The Prix Ars Electronica, and a cassette release on The Tapeworm, “Spool”, playing only bass guitar. His CD “Sand” (2008) was 2nd in The Wire’s top 50 of the year. His largest work made with Lol Sargent, “Vinyl Requiem” was for 180 record-players, 9 slide-projectors and 2 16mm movie-projectors. It received a Time Out Performance Award. Vinyl Coda I-III, a commission from Bavarian Radio in 1999 won the Karl Sczuka Foderpreis for Radio Art.

Philip also still works as a visual artist, usually incorporating sound and has shown installations at The Bluecoat, Liverpool, Hayward Gallery, London, The Hamburger Bahnhof Gallery, Berlin, ZKM in Karlsruhe and The Shanghai and Liverpool Bienalles.

Philip Jeck has won the Paul Hamlyn Foundation Award for Composers 2009. A presentation ceremony took place at The Royal Institute of British Architects, London, on 9th November 2009.

He has toured in an Opera North production playing live to the silent movie Pandora’s Box (composed by Hildur Gudnadottir and Johann Johannson).He has also worked again with Gavin Bryars on a composition “Pneuma” for a ballet choreographed by Carolyn Carlson for The Opera de Bordeaux and has recently made and performed the sound for “The Ballad of Ray & Julie” at the Everyman Theatre, Liverpool.

Pre-order Philip Jeck – “Iklectik” [CD + Download] in the TouchShop
www.philipjeck.com

TO:103 | Carl Michael von Hausswolff “Still Life – Requiem”

Vinyl LP – 2 tracks – 44:24
Limited edition of 500

Track listing:

1. Still Life – Requiem l
2. Still Life – Requiem ll

Written & recorded by Carl Michael von Hausswolff
Artwork & photography by Jon Wozencroft & Carl Michael von Hausswolff
Mastered by Jason at Transition

Conceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.

‘Still Life – Requiem’ consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it’s contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called ’emission spectroscopy’ whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.

A requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings – it’s a piece dedicated to promote and insert tranquility and transcendence.

This requiem also provides the listener with a certain feeling of connection – perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.

CMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago (‘Squared’ [CD – Auf Abwegen, 2015]). In recent years he has been collaborating with Leslie Winer (‘1’ [LP – Monotype 2016]) and Hans-Joachim Roedelius (‘Nordlicht’ [LP – Curious Music, 2017]).

He has also instigated and curated the collective sound-installation ‘freq_out’ during 2003 – 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others.

Tone 59 | Claire M Singer “Fairge”

Claire M Singer – Fairge [Touch # Tone 59]
CDEP – 1 track – 20:55
Limited edition in CD wallet

Written & performed by Claire M Singer
Mastered by Denis Blackham @ Skye
Photography & design by Jon Wozencroft

Recorded by Clare Gallagher at Oude Kerk, Amsterdam, 12th June 2017 on the transept organ built by Ahrend & Brunzema (1965). ‘Fairge’ was commissioned by Oude Kerk for ‘Silence’, a concert series curated by Jacob Lekkerkerker.

Following 16 months after Scottish artist Claire M Singer’s debut album comes the release of the beautiful and intriguing ‘Fairge’, meaning ‘the ocean’ or ‘the sea’ in Scottish Gaelic. ‘Fairge’ is a single 21-minute piece for organ, cello and electronics, composed, performed and produced by Claire and is very much a companion work to the title track on her debut album ‘Solas’ (Touch, 2016).

Commissioned by Amsterdam’s oldest building and parish church Oude Kerk, ‘Fairge’ premiered at the church in February 2017. Claire M Singer’s performance on the Ahrend and Bunzema organ, cello and electronics is truly captivating. The work very much encapsulates her signature style of expansive soundscapes full of intricate textures, rich overtones and powerful swells, emotionally resonating from beginning to end.

‘Fairge’ was written specifically for the Ahered and Bunzema organ and explores the precise control of wind through the pipes using mechanical stop action. This creates a lush harmonic backdrop against the harmonics and melody of the haunting cello.

“Oude Kerk were very generous in letting me have time to explore and really get to know the instrument. The work was developed over many visits sitting in the church until the very wee hours over the winter months, which was incredibly magical and inspiring. When working with mechanical stops and precisely controlling the amount of air that passes through the pipes it requires a lot of practice and exploration to learn each incremental sound the organ can make and what the quirks of the instrument can be. As every organ is unique, the piece will differ on other organs but that’s what makes writing and working with the organ so fascinating. The tuning is mean-tone temperament, which I have not worked with previously. With ‘Fairge’ I really wanted to show how special this relatively small organ is and the beautiful pallet of sound it can produce.” [Claire M Singer, September 2017]

Claire M Singer’s performance is truly captivating, with her signature style of intricate textures, rich overtones and powerful swells, emotionally resonating throughout.

She is playing two special dates supporting the band Low at Union Chapel, London on the 14th October and at Westerkerk in Amsterdam on the 16th October.

The work of Claire M Singer has been widely commissioned, exhibited and performed throughout Europe and North America. This includes acoustic and electronic composition, fixed media, multi-media, installations and live electronics.

Performances and commissions include Tate Modern London; Glasgow Cathedral; Chez Poulet Gallery San Francisco; XMV New York City; Fylkingen Institute Stockholm; Ceremony Hall Austin; Kunst-Station Sankt Peter Cologne; Muziekgebouw Aan’ t ij Amsterdam and the Barbican supporting Stars of the Lid.

Claire is also Music Director of the organ at Union Chapel and Artistic Director of the Organ Reframed festival.

In June 2017 she was a recipient of the inaugural Oram Awards from the PRS Foundation and New BBC Radiophonic Workshop for her innovation in sound and music.

Guerrilla 52

September 15th 2017 – Guerrilla 52

1. New loop still moving slowly. It’s a backing track for you to sing along too, or even play.
2. More of those mysterious radio frequencies.
3. Slower new still moving slowly.
4. “I’m running out of my voice” voice.

Philip Jeck & Claire M Singer, Live at Meakusma | Belgium 9-11th September 2017

Touch Presents…

Philip Jeck
Claire M Singer
The Eternal Chord

The Friedenskirche, a church in Eupen, will be host to the “Touch Presents…” program, featuring two organ concerts by Claire M. Singer and The Eternal Chord and a live performance by Philip Jeck. Claire M. Singer’s 2016 debut Solas spans 14 years of her work in acoustic and electronic composition. Together with Mike Harding, she is also a member of The Eternal Chord, a project that focuses on the sonic power of the organ. Philip Jeck started working with record players and electronic instrumentation in the 80s and is renowned for his soundtracks, music for theatre and dance companies and solo concert work.

www.meakusma.org

Guerrilla 51

September 1st 2017 – Guerrilla 51

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