Touch Live at Iklectik | 23rd March 2018

Philip Jeck
Yann Novak
Simon Scott
Touch

iklectikartlab.com

FOLIO 002 | Various Artists/Jon Wozencroft – “Touch Movements”

76pp full colour book + CD
33 tracks – 78:59
Limited edition of 1000

Release date: 11th December 2017

Track listing:

Into the Open
Mika Vainio – Behind the Radiators
AER – Just Before Dawn
Bethan Kellough – Twelve
Wire – A Year A Second [For BCG]
London in a Week
Carl Michael Von Hausswolff – Sine Missing One
Chris Watson – Deepcar
Jana Winderen – Bronx Tunnel
The Magical Land of the North
Claire M Singer – Storr
Hildur Gudnadottir – Death 200AD
Three 20 – Four Twelve
Philip Jeck – Deed of Gift
Walking on Water
Simon Scott – Storm of the Fens
Eleh – Overt One
The Love Train
Russell Haswell – Demons
Heitor Alvelos – Expectant
I’m a Schoolteacher on Holiday
Johann Johannsson – Mingyun
Mark Van Hoen – Prescient
Fennesz – Paint It Black (remastered)
Sohrab – JV Dream
It’s Enough to Make You Weep
Strafe FR – Virgin
Before The Sea @ Falasarna
Jim O’Rourke – Despite The Water Supply
Situation Stabilised / BJ Nilsen – Atom Mother
Peter Rehberg – Cinecom
Gateway to the Garden
Oren Ambarchi – Testify
The Sound of Eleven

In a 24/7 world there is no greater challenge than “to be in command of one’s own time”. Is it true that the ability to download anything, at any moment, constitutes freedom? Has the ‘value’ of music, art and design been stripped bare? “I Google, therefore I am”…

Touch MOVEMENTS has been compiled over the course of 3 years. It is a response to many requests for Touch to publish a fuller account of Jon Wozencroft’s photography for the cover art of the project. The book follows the music, which was compiled step-by-step, like a jigsaw – there was not an “open call” to the artists, rather a sequential development which gives the CD a special narrative quality. And since our last Touch 30 compilation in 2012, the accuracy of the music has grown and rises to the challenge of what sound can do to transform perceptions about the immediate emotion of musical work and its more difficult, longer term evolution.

Following Touch Folio 001 in 2015, this series is a dedication to finding new ways of audiovisual publishing, somewhere between the twin peaks of a jewel-cased CD and a lavish box-set. The two elements of sound and the visual work in parallel to create the idea of an “Ear-book”, whose interdependency reveals itself over time, and allows the richest of listening and viewing experiences. The music and the photography is fully annotated, alongside a rarely-seen manifesto by the Surrealist film-maker Jan Švankmajer which celebrates the spirit of the creative act.

Pre-order FOLIO 002 | Various Artists/Jon Wozencroft – “Touch Movements” [76pp Book + CD] in the TouchShop

Inaugural Radio Mix by Mike Harding for Camp | 30th September 2017

Featuring artists and tracks from the Touch catalogue stretching back over 35 years, Mike Harding has compiled a 2 hour radio mix for Camp (“Next level arts residencies”)

Here is the track listing:

Sohrab – Himmel Über Tehran
Bethan Kellough – Canopy (extract)
Fennesz – Glide
Claire M Singer – A Different Place
Robert Crouch – Sublunar (extract)
Philip Jeck – Tilting
*
Chris Watson – A recording from Embleton Rookery
Soliman Gamil – Sufi Dialogue
Marcus Davidson – The Passing
Yann Novak – Ornamentation (extract)
Hildur Gudnadottir – Erupting Light
*
Jana Winderen – Scuttling Around in the Shallows
Oren Ambarchi – Salt
Rosy Parlane – Iris part one
Pece Atanasovskog – Postupano Oro
Strafe für Rebellion – In Egypt in the Month of May
*
Bruce Gilbert – Sliding Off the World
Pan Sonic – Slovakian Rauta
Tanja Orning & Hild Sofie Tafjord – Live at Blå, Oslo
Hazard – Church
Ryoji Ikeda – op. 1 IV [for 9 strings]

mixcloud.com/camp_fr/inaugural-session-touch-30th-september-2017/

Tone 58 | Philip Jeck – “Iklectik”

CD and download – 1 track
Sold out at source – digital available on bandcamp

Release date: 22nd September 2017

Artwork and photography by Jon Wozencroft
Recorded and mastered by Jeff Ardron of St. Austral Sound

The 6th in the series of limited edition compact disc live recordings (after Thomas Köner & Jana Winderen, Simon Scott, Bethan Kellough, Yann Novak, Robert Crouch) brings Philip Jeck live at Iklectik, London.

Philip Jeck studied visual arts at Dartington College of Arts in the 1970’s and has been creating sound with record-players since the early 80’s. He has worked with many dance and theatre companies and played with muscians/composers such as Jah Wobble, Steve Lacy, Gavin Bryars, Jaki Liebezeit, David Sylvian, Sidsel Endresen and Bernhard Lang.

He has released 11 solo albums, the most recent “Cardinal”, a double vinyl release on Touch. “Suite”, another vinyl-only release, won a Distinction at The Prix Ars Electronica, and a cassette release on The Tapeworm, “Spool”, playing only bass guitar. His CD “Sand” (2008) was 2nd in The Wire’s top 50 of the year. His largest work made with Lol Sargent, “Vinyl Requiem” was for 180 record-players, 9 slide-projectors and 2 16mm movie-projectors. It received a Time Out Performance Award. Vinyl Coda I-III, a commission from Bavarian Radio in 1999 won the Karl Sczuka Foderpreis for Radio Art.

Philip also still works as a visual artist, usually incorporating sound and has shown installations at The Bluecoat, Liverpool, Hayward Gallery, London, The Hamburger Bahnhof Gallery, Berlin, ZKM in Karlsruhe and The Shanghai and Liverpool Bienalles.

Philip Jeck has won the Paul Hamlyn Foundation Award for Composers 2009. A presentation ceremony took place at The Royal Institute of British Architects, London, on 9th November 2009.

He has toured in an Opera North production playing live to the silent movie Pandora’s Box (composed by Hildur Gudnadottir and Johann Johannson).He has also worked again with Gavin Bryars on a composition “Pneuma” for a ballet choreographed by Carolyn Carlson for The Opera de Bordeaux and has recently made and performed the sound for “The Ballad of Ray & Julie” at the Everyman Theatre, Liverpool.

Pre-order Philip Jeck – “Iklectik” [CD + Download] in the TouchShop
www.philipjeck.com

TO:103 | Carl Michael von Hausswolff – “Still Life – Requiem”

Vinyl LP
Limited Edition 500

Release date: 20th October 2017

Written & recorded by Carl Michael von Hausswolff
Artwork & photography by Jon Wozencroft & Carl Michael von Hausswolff
Mastered by Jason at Transition

Conceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.

‘Still Life – Requiem’ consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it’s contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called ’emission spectroscopy’ whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.

A requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings – it’s a piece dedicated to promote and insert tranquility and transcendence.

This requiem also provides the listener with a certain feeling of connection – perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.

CMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago (‘Squared’ [CD – Auf Abwegen, 2015]). In recent years he has been collaborating with Leslie Winer (‘1’ [LP – Monotype 2016]) and Hans-Joachim Roedelius (‘Nordlicht’ [LP – Curious Music, 2017]).

He has also instigated and curated the collective sound-installation ‘freq_out’ during 2003 – 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others.

Order Carl Michael von Hausswolff – “Still Life – Requiem” [VINYL LP] in the TouchShop
www.cmvonhausswolff.net

Tone 59 | Claire M Singer – “Fairge”

CD and download – 1 track

Release date: 20th October 2017

Written & performed by Claire M Singer
Mastered by Denis Blackham @ Skye
Photography & design by Jon Wozencroft

Release date:
Barcode: 5050580677739

Recorded by Clare Gallagher at Oude Kerk, Amsterdam, 12th June 2017 on the transept organ built by Ahrend & Brunzema (1965). ‘Fairge’ was commissioned by Oude Kerk for ‘Silence’, a concert series curated by Jacob Lekkerkerker.

Fairge, meaning ‘the ocean’ or ‘the sea’, is very much a companion piece to Claire’s solo album, ‘Solas’ (Touch, 2016), about which The Quietus wrote: “…something very special indeed – each piece is timeless and genuinely magical” and Norman Records asked “Why have we had to wait this long for this excellent sound to be recorded and released?”

Pre-order Claire M Singer – “Fairge” [CD + Download] in the TouchShop
www.clairemsinger.com

Philip Jeck & Claire M Singer, Live at Meakusma | Belgium 9-11th September 2017

Touch Presents…

Philip Jeck
Claire M Singer
The Eternal Chord

The Friedenskirche, a church in Eupen, will be host to the “Touch Presents…” program, featuring two organ concerts by Claire M. Singer and The Eternal Chord and a live performance by Philip Jeck. Claire M. Singer’s 2016 debut Solas spans 14 years of her work in acoustic and electronic composition. Together with Mike Harding, she is also a member of The Eternal Chord, a project that focuses on the sonic power of the organ. Philip Jeck started working with record players and electronic instrumentation in the 80s and is renowned for his soundtracks, music for theatre and dance companies and solo concert work.

www.meakusma.org

Claire M Singer – One to Watch at Spitfire Audio

“Unearthing more future greats, this time we meet organ revivalist, Claire M Singer.

Claire M Singer is a composer, producer and performer of acoustic and electronic music, film and installations. She also looks after one of the most prestigious organs in the world, the legendary 1877 Henry Willis organ at Union Chapel, London.”

www.spitfireaudio.com/ones-to-watch/claire-m-singer/

‘Solas’ is still available on compact disc and digital download

Robert Crouch – ‘Sublunar’ [Tone 56, 2017] | Digital Release Now Available

Robert Crouch’s ‘Sublunar’ [Tone 56] now up digitally in all good stores.

You can listen and purchase from Bandcamp here

Brainwashed wrote:

“…Crouch works the various layers of sound together, coming together at times lush and rich, and at others thin and harsher in nature. This constant unending flow makes for a complex, captivating piece of sound… Separated from the source material, Sublunar may not have the same conceptual nature of his previous work, but his knack for mixing familiar sounds with unfamiliar ones is still strongly present. Here he manages to create a space that is both comfortable and alien, where the ambiguity simply adds to the quality of the sound. Given this is a live performance; it just makes this record all the more impressive.” [Creaig Dunton]

Bad Press:

“…it’s a quiet intensity. The most striking thing about the album is its ability to go in multiple directions and at the same time maintain an even keel. It surprises without jarring. It is intricate and at the same time expertly polished.”

Chris Watson Albums Back in Stock | ‘El Tren Fantasma’ & ‘Weather Report’

We are pleased to announce that two major recorded albums, ‘El Tren Fantasma‘ & ‘Weather Report‘ by Chris Watson have been republished;

‘El Tren Fantasma’ [Touch # TO:42, 2011]

“Take the ghost train from Los Mochis to Veracruz and travel cross country, coast to coast, Pacific to Atlantic. Ride the rhythm of the rails on board the Ferrocarriles Nacionales de México (FNM) and the music of a journey that has now passed into history.”

El Tren Fantasma, (The Ghost Train), is Chris Watson’s 4th solo album for Touch, and his first since Weather Report in 2003, which was named as one of the albums you should hear before you die in The Guardian. A Radio programme was broadcast on BBC Radio 4 on Saturday 30 Oct, 2010, produced by Sarah Blunt, and described as “a thrilling acoustic journey across the heart of Mexico from Pacific to Atlantic coast using archive recordings to recreate a rail passenger service which no longer exists. It’s now more than a decade since FNM operated its last continuous passenger service across country. Chris Watson spent a month on board the train with some of the last passengers to travel this route. As sound recordist he was part of the film crew working on a programme in the BBC TV series Great Railways Journeys. Now, in this album, the journey of the ‘ghost train’ is recreated, evoking memories of a recent past, capturing the atmosphere, rhythms and sounds of human life, wildlife and the journey itself along the tracks of one of Mexico’s greatest engineering projects.

This compact disc is now available to order from TouchShop

‘Weather Report’ [Touch # TO:47, 2003]

The weather has created and shaped all our habitats. Clearly it also has a profound and dynamic effect upon our lives and that of other animals. The three locations featured here all have moods and characters which are made tangible by the elements, and these periodic events are represented within by a form of time compression.

This was Chris’s first foray into composition using his location recordings of wildlife and habitats – previously he has been concerned with describing and revealing the special atmosphere of a place by site specific, untreated location recordings. For the first time here he constructs collages of sounds, which evolve from a series of recordings made at the specific locations over varying periods of time.

This compact disc is now available to order from TouchShop

Touch Radio 131 | Bill Thompson

28.06.17 – Bill Thompson – Live at the Brunswick Club, Bristol, June 19th 2017 – 31:37 – 320 kbps

This is a two channel recording of a live solo performance using the Moog guitar plus stuff. The set was improvised and only the second time I’d performed solo with the Moog (the first being the night before in Swansea). The gig was at the Brunswick Club in Bristol which houses several arts groups including BEEF (Bristol Experimental Expanded Film) who, via sound and video artist Kathy Hinde, had invited me to perform. When I arrived in Bristol and gave the taxi driver the address, he told me that the Brunswick Club was closed down, and even if it wasn’t, he doubted I’d be performing there. Apparently it used to be a Working Man’s Club frequented by taxi drivers. Not any more.

Equipment: Moog Guitar, ebow, shortwave radio, tone generator, guitar pedals (reverb, delay, distortion and fuzz factory), plasma and bicycle lights, a child’s light wand, two vibrators, portable CD player (unplugged), modified fans, mixer, and miscelaneous debris.

Recorded by Kathy Hinde.

Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store

Play “Live at the Brunswick Club, Bristol, June 19th 2017”

billthompson.org
touchradio.org.uk

The Handmaid’s Tale [HULU/C4]

A significant factor in responding to the decline of the compact disc format is to find new forms of exposure for challenging music. Hildur Gudnadottir‘s work for Touch, in particular “Saman”, takes a central role in forming the emotional narrative of this acclaimed series, starring Elizabeth Moss, made by Hulu (USA) and now showing on Channel 4 (UK).

Hildur’s four CD’s for Touch will re-released in 2 Double-CD editions in
the autumn. In the meantime, “The Handmaid’s Tale” is free to view on
Channel 4 OD. We recommend it.

Tone 51 | Thomas Köner & Jana Winderen – “Cloître”

Released: 16th June 2017
CD – 1 track – 44:24

Remastered by Thomas Köner
Photography & design by Jon Wozencroft

Track listing:

1. Cloître

Recorded live from the cloisters at Evreux Cathedral, Normandy, France by Franck Dubois, 14th June 2014, as part of L’Ateliers. With thanks to Denis Boyer.

Pre-order Thomas Koner & Jana Winderen “Cloitre” [CD + Download] on Bandcamp
www.thomaskoner.com
www.janawinderen.com

Touch Radio 130 | Félix Blume

20.05.17 – Félix Blume – A La Orilla (On the edge) – 45:01 – 320 kbps

On the edge of the jungle, where the Amazon Rainforest begins in southern Venezuela, where the Gran Sabana ends, humans are still trying to enter a world dominated by nature. Trees, rivers, animals and insects extend to the horizon, and the sounds reach our ears to remind us of their empire.

Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store

Play “A La Orilla”

felixblume.com
touchradio.org.uk

Tone 56 | Robert Crouch – “Sublunar”

CD and download – 4 tracks

Release date: 19th May 2017

Written, recorded and performed by Robert Crouch
Mastered by Lawrence English @ 158
Artwork & Photography: Jon Wozencroft

Track listing:

1. Descension
2. Brick by Brick
3. Listen to the sound of the earth turning
4. Coda (Sailing Stones)

Presented live in Los Angeles. Source material originally developed as part of mas gestos y mas caras, a collaborative performance with Rafa Esparza and Yann Novak, presented at the Hammer Museum on July 8, 2016

Pre-order Robert Crouch – “Sublunar” [CD + Download] in the TouchShop
www.robertcrouch.com

Jon Wozencroft on nts radio

Knee Deep

NTS Radio, 22nd April 2017, 6pm-8pm
Location: Dalston, London E8
Presented by Mattis

A Handmaid’s Tale (HULU, 2017)

This new series starting April 26th 2017 on HULU starring Elizabeth Moss uses some of Hildur Gudnadottir’s music… episodes 2, 3 and 9 contain tracks you can hear on her bandcamp site, where you can stream and download her albums.

Touch Radio 129 | Jana Winderen – Daybreak; Kochi (Kerala), India

11.04.17 – Jana Winderen – Daybreak; Kochi (Kerala), India – 38:03 – 320 kbps

This crepuscular recording was made from 4:45am on the 14th December 2016 in the south Indian city of Kochi. I was there to play “Drifting”, a performance at Vasco da Gama Square, for Convening #2 hosted by the TBA21 Academy on the following day.

Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store

Play “Daybreak; Kochi, Kerala, India”

janawinderen.com
touchradio.org.uk

Touch Radio 128 | Geneva Skeen & Sarah Rara

23.03.17 – Geneva Skeen & Sarah Rara – Live in Los Angeles – 37:03 – 320 kbps

Live at Human Resources, Los Angeles, February 18, 2017

1. Geneva Skeen – Pop Song 16:48
2. Sarah Rara – Separating the Air 20:12 – Projected Text

For the closing of Yann Novak’s exhibition Repose, Novak invited Geneva Skeen and Sarah Rara to perform inside/alongside his installation. Each artist’s performance was accompanied by the sound of Novak’s installation demonstrated here via a room-recording from the event.

Skeen’s Pop Song is a temporal response to Novak’s drone work, and a cultural response to our times. In harmonizing with Novak’s loop – divided into 3-4 minute segments (the average acceptable length of a pop song) – Skeen’s Pop Song acknowledges that populist times call for populist measures, but refuses populist comfort, acceptance, and pale standards of beauty as means of resistance.

Rara’s Separating the Air: games of listening and learning between voice and computer at the boundary between music and speech. Each part is a device to punctuate silence, divide time, move the air.

Photo: Christopher Wormald

Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store

Play “Live in Los Angeles”

soundcloud.com/geneeeeves
www.sarahrara.com
www.touchradio.org.uk

Touch is 35 Today

Today, 11th March, is the official 35th anniversary of the founding of Touch in 1982…

First contact with New Order after their concert at the Newcastle Mayfair on 11th March 1982…

You can follow our progress year by year here…