Touch, July 2012
Touch invites... | Cafe Oto 17th July 2012
Café Oto, 17.07.12
Presentations, talks & performances.
Maia Urstad (Bergen) - 'Radio Field'
"As a sound installation artist I have always been intrigued by how we communicate. My fascination with the sending and receiving of messages, and how they may be converted on their way, has led to a series of artworks containing portable radio transmitters and receivers..."
Maia Urstad is an artist working at the intersection of audio and visual art. She was educated at the Bergen National Academy of the Arts and has also a background in rock music.
Jiyeon Kim (Seoul)
Jiyeon Kim started her career as media art project producer, then she moved to the soundmaker/musician field. She mainly uses field recordings with sounds made with handmade analogue sound devices and acoustic objects as her source. Currently she experiments on resonating different materials in various methods with diy microphones, amplifiers, analogue oscillators, which leads her to develop unconventional ways of field recording. Jiyeon is also working as a sound educator, actively programming and running various sound workshops for young people. She aims to inspire participants to engage with their sonic environments in an artistic and social way. This summer, Jiyeon is invited to 3 weeks of a field recording residency near Verona and Naples in Italy, where she will explore sound environments of abandoned places in rural areas.
Sandra Jasper (London/Berlin)
Sandra Jasper is a geographer currently completing her doctorate at the UCL Urban Laboratory. Her thesis "Cyborg Imaginations: Nature, Technology and Urban Space in West Berlin (1961-1989) draws from diverse fields, such as sound art, engineering and architecture. Sandra teaches on the UCL MSc Urban Studies and convenes "Stadtkolloquium" a postgraduate research network. Her recent publication "Phantom limbs: Encountering the hidden spaces of West Berlin" came out in "Urban Constellations" (Jovis, ed. by Matthew Gandy).
"The UCL Urban Laboratory, established in 2005, is a university-wide initiative to bring together the best urban teaching and research at UCL. Our activities build on the full spectrum of work at UCL across the arts and sciences ranging from civil engineering to film studies, from urban history to the latest developments in architectural design."
Dawn Scarfe (London)
Dawn Scarfe’s work ranges across a variety of media from site-specific installation and performance to field recording. It explores how listening might be directed to heighten our perceptions of particular environments. Multi-speaker installations (such as Tree Music) and resonating acoustic glass sculptures (Listening Glasses) ask us to re-think and re-negotiate our impressions of our surroundings. Individual parts of her works are encouraged to respond to each other or to enter into a dialogue with their environment.
Recent exhibitions include Klinkende Stad Kortrijk, ZKM Karlsruhe, Q-O2 Brussels, La Casa Encendida Madrid, TONSPUR Museumsquartier Vienna, Bios Athens, Space Studios and 176 Zabludowicz Collection, London. She completed a PhD in Sonic Arts at Goldsmiths, University of London in December 2011.
Dawn will present an introduction to her work with glass including Tuning to Spheres: an installation/performance which uses assorted wine glasses as acoustic resonators. A number of wine glasses sit on a turntable. A small loudspeaker plays sine tones tuned to the pitch of a particular glass, causing it to resonate as it passes underneath the speaker.
Touch Radio 80 | Lasse Marhaug
14.07.12 - Live at Non-Event Boston, March 31st 2012 - 22:52 - 192 kbps
Portrait by Stian Westerhus
Recorded and mixed by Ernst Karel. Special thanks to C. Spencer Yeh and Non-Event: Susanna Bolle, Benjamin Nelson and Ernst Karel - www.nonevent.org
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Play Lasse Marhaug "Live at Non-Event Boston, March 31st 2012"
T33.2V | Touch 33 - "Islands in-between"
LP - edition of 500 vinyl and download only
You can pre-order this item now. This item will be shipped after our break at the end of July, from the week beginning 30th July... The official release date is 3rd August 2012. [If you order additional items, they will be shipped straightaway...]
Cut by Jason at Transition
Sticker by Jon Wozencroft
A new series of vinyl and download only releases, "from the archives...". Islands Inbetween was originally released on cassette in 1983 [Touch # T33.2]. Three tracks, by John Keliehor & Orlando Kimber, have been removed from this edition for copyright reasons. The second in this series, "Drumming for Creation" [Touch # T33.3V] will be released in the spring of 2013
Side One 20'31"
Day and Night
Dag combination dance
Side Two 17'05"
Degung instrumental no. 2
Indonesians often use the name 'Nusantara', meaning 'the islands in-between', when referring to the archipelago that forms their Republic. This cassette covers only some of the cultural activity on Java and Bali, the best known islands out of the 13,700 counted by statisticians, so it is not intended to be in any way definitive. The selections are more like musical postcards of two cultures balanced between tradition and tourism.
legend: meridian 105º - 115º east
There is no specific translation for 'Gending Gending'. The term generally means 'orchestra' or 'gamelan composition'. The Javanese word for hammer is 'gamel', and the music is said to encourage the growth of plants. 'Suling' - the end blown flute. 'Degung instrumental' - from the Sudabese region of West Java to the speakers of tourists cafes. 'Genggong' - the first Balinese instrument, a mouth harp made from the palm and played by Igusti Ngurah Togog at his homestay in Peliatan, Bali. 'Cremation Gamelan' - a portable ensemble plays while the cremation tower is raised from the death pavilion. Before travelling a mile along the Peliatan road to the Temple of the Dead, the tower is spun around on its bearer's shoulders to confuse the soul, preventing its return home to trouble the living. The overture played as the tower is set alight (with a magnifying glass - matches are thought to be unclean), is recorded on 'Touch Travel'. Dag combination dance - in Bali, individual dances are sometimes merged into modern adaptations, not only as a result of tourism - the gamelan elders think popularisation is the best way to attract young people to dance, though dividing lines are difficult to draw. 'Dag' is a combination of 'Kecak' and 'Kebyar', performed from the squatting position in a pantomime style very popular with children. Attention is focused on the facial expressions of the dancers which interpret man's ever-changing moods. 'King Rama' - the story of the 'Kecak' (monkey) dance is taken from the Hindu Ramayana epic and portrays Rama'a search for his wife, Sita, who has been abducted to the monkey forest. Rama is an incarnation of Vishnu, The Creator, and serves as an ideal for the Hindu man. 'Ramayana ll' - the opening sequence of the gamelan acvcompaniment to the 4 part ballet held on the full moon-lit nights of June, July and August at Prambanan temple complex. The largest central temple is dedictade to Shiva, the destroyer. The voices that follow were recorded on a train at Bandung station at 3am, en route to Yogjakarta. Local sellers board trains whatever the hour, and every carriage becomes an indoor market.
'Watermark' - nightfall by a bridge near the Monkey Forest, Ubud. 'One Language' - there are c. 300 different languages and dialects in Indonesia. After independence in 1945, Bahasa Indonesian became the universally accepted language, though its use had already been encouraged by Nationalists as a political tool against the Dutch colonisers, and sanctioned by Japanese invaders who wished to spread propaganda to the villagers. 'Temple Gamelan' - musicians play while women bring ornately prepared offerings to the temple shrines on auspicious days of the Hindu calendar. Spirits and demons cannot live without food and drink, so the women fan the essence towards the divine recipient before offerings are placed on the ground to waiting dogs. Smaller offerings made daily, are left at strategic points around the house and alongside the ricefields. 'Frog Sound' - the sound comes from the reed mouthpiece of the genggong harp. Played by Togog and his son. 'Ducks' - every morning young boys and old men direct the family ducks out of their pens and along narrow paths into ricefields that are wet enough to paddle in. 'Tenun' - the Balinese weaving dance depicting women working at this traditional craft. 'Anjung' - the name given to the hordes of semi-wild dogs that roam Bali's villages, barking instinctively at any approaching white man. 'Garuda' - Indonesia's national symbol is the Garuda bird. Vishnu's chosen vehicle and thus the king of flight associated with creative energy. Garuda is a dominant motif in Indonesian art, the name of the national airline and the seal of the official state coat of arms, beneath which appears the words 'Bhinneka Tunggal Ika' - literally 'many are there but there is only one'.
Touch Radio 81 | Jiyeon Kim | Maia Urstad | Dawn Scarfe with interventions from Sandra Jasper
31.07.12 - Touch invites... Live at Café Oto 17.07.12 - 26:29 - 192 kbps
Photo: Dave Knapik
Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store
Play "Touch invites... Live at Café Oto 17.07.12"
Click here for Jiyeon Kim's website | for Maia Urstad's | for Dawn Scarfe's and for Sandra Jasper's