Monthly Archives: March 2014

TO:93 – Thomas Ankersmit “Figueroa Terrace”

CD – 1 track – 36:49

Track listing:

1. Figueroa Terrace
Thomas Ankersmit is a musician and installation artist based in Berlin. Since 2006 his main instrument, both live and in the studio, has been the Serge analogue modular synthesizer.

Acoustic phenomena such as sound reflections, infrasonic vibration, otoacoustic emissions, and highly directional projections of sound have been an important part of his work since the early 2000’s.

In the winter of 2011-2012 Ankersmit was invited by the CalArts electronic music studios, Los Angeles, where the Serge was originally developed in the early 1970s, to record new music with their heavily customized and recently restored “Black Serge” system.
In addition to conventional analog synthesis techniques (FM, AM, ring modulation, filtering, enveloping and panning under voltage control), Ankersmit used various kinds of waveshaping, distortion and feedback (both internally as well as via a microphone and speaker setup in the studio); oscillator-generated frequencies at the upper and lower limits of auditory perception; a patch matrix to control quick transitions; a homemade circuit-bending type interface to create momentary interruptions to the signal flow, and the scraping of a contact microphone. Aside from recording, editing, and a few instances of reverb no digital technology was used.

The music is finely tuned and highly detailed, yet also visceral and raw. Marked by sharp perceptual contrasts, the piece shifts between dense formations of electric noise, to fields of micro-events moving with an intuitive logic, and feedback-drones of overwhelming intensity. The sounds have a real-world physicality, bringing to mind swarms of locusts, distant storms and creaking machinery rather than “synthesizer music”.

The piece was premiered in North America at REDCAT in downtown Los Angeles and in Europe at Berghain, Berlin, for the MaerzMusik Festival.

The music is originally quadraphonic and mixed to stereo for this release. Figueroa Terrace is Ankersmit’s first full-length solo studio release.

Thomas Ankersmit: Serge analogue modular synthesizers, contact mic. Recorded at CalArts, Valencia and in Los Angeles, December 2011-February 2012. Thanks to Kye Potter, Kevin Drumm, Valerio Tricoli, Darrel Johansen, Kevin Fortune, and everyone at CalArts.

www.thomasankersmit.com

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Imad’s Lamb Tagine With Prunes

1 kg lamb cut in 3 cm cubes
1 large onion, diced
30 ml olive oil
5 ml ground turmeric
5 ml ground ginger
5 ml ground cinnamon
250 ml water or broth
Pinch of Moroccan saffron
30 ml chopped cilantro or flat-leaf (Italian) parsley
125 ml sliced carrots
250 ml pitted prunes
(dates or dried apricots or a combination can also be used)
30 ml liquid honey
Salt and freshly ground pepper to taste
15 ml toasted sesame seeds to garnish

Combine the lamb, turmeric, ginger, and cinnamon in a plastic bag and shake or roll to coat the meat thoroughly with the spices and press them into the meat. If desired, leave to marinate for an hour or two. In a heavy Dutch oven or tagine, heat olive oil over medium-high heat. Saute the onions until they begin to soften, then add the meat, and brown lightly. Add the water or broth, saffron, cilantro or parsley, and carrots. Cover and reduce heat to medium-low. Cook until the lamb is tender, about 1 to 1.5 hours.

With a slotted spoon, transfer the meat to a heat-proof dish and keep warm while you finish the sauce. Return the liquid in the Dutch oven to a simmer. Add prunes or dried fruit, honey, and salt and pepper. Cover and cook for a few minutes to plump the prunes or fruit. Remove the cover, and continue to cook until sauce thickens to desired consistency. Return the meat to the sauce, and stir to coat completely. Warm through, and correct the seasonings if necessary. Sprinkle with sesame seeds and serve immediately with warm crusty bread and a salad. Serves 4 to 6.

Elaine Dixson’s Mother’s Cookies (A Canadian Prairies Recipe)

250 ml (1 cu) butter
250 ml (1 cu) brown sugar
250 ml (1 cu) white sugar
250 ml (1 cu) flour
250 ml (1 cu) coconut
500 ml (2 cu) rolled oats
5 ml (1 tsp) baking soda
5 ml (1 tsp) baking powder
5 ml (1 tsp) vanilla
1.25 ml (¼ tsp) salt
1 egg, beaten
250 ml (1 cu) raisins (or other fruits or nuts as desired)
30 ml (2 Tbsp) milk (if dough is too dry)

Cream together the sugars and butter. Combine dry ingredients and add to butter/sugar mixture. Add egg and combine. Add raisins or other fruit or nuts and combine. Drop spoonfuls onto baking sheets. Bake 8 – 10 minutes at 190ºC or 375ºF.

Anna von Hausswolff – Kallan (Prototype) Locked Groove

We are compiling a database of recordings of the locked groove of the LP Anna von Hausswolff “Källan (Prototype)” at the end of side a of this release, whereby you can upload your recording and listen to all the submissions. Instructions for when you receive your copy…:
Please record 60 seconds (no more) of the locked groove at the end of side a whilst it is playing on your record player. Name the file with your name like this – YourName.mp3 and upload via ftp here:
ftp address: touch33.net
username: f13f43
password: Dudx0iHH
…and email Touch with your record player information like this:
“recorded on an iPhone 5 from a test pressing played on a Vestax BDT-2500 belt driven turntable”
Thank you! Please note there are no rights to these recordings and anyone can gain access to them by logging in and downloading, so if you don’t want anyone to have them, don’t upload them!
Anna von Hausswolff locked groove recordings:
Click here to listen to the uploads.

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Today in Touch history…

First contact with New Order after their concert at the Newcastle Mayfair on 11th March 1982…
Visit the Touch Archive pages
Touch’s history

Touch Radio 102 | Howlround

7.03.14 – Brighthelm – 17:47 – 320 kbps

Howlround are the duo of Robin The Fog and Chris Weaver who create recordings and performances entirely from manipulating natural acoustic sounds on a quartet of vintage reel-to-reel tape machines – with additional reverb or electronic effects strictly forbidden. This recording documents their first ever live performance at the Brighthelm Centre as part of the Resonance FM stage at the Great Escape Festival, Brighton, 18th May 2013. It was the first time these delicate, bulky, unpredictable machines had ever left the studio – a complete step into the unknown – and therefore something of an occasion. This recording is presented without edits or overdubs, just the sound of four machines, two people and a huge tangle of quarter-inch tape, looping and snarling precariously around the venue.
Photo: Larry Gale
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Play “Brighthelm”
www.touchradio.org.uk
www.howlround.co.uk

Landscape & Perception on BBC iPlayer

Paul Devereux and Jon Wozencroft, supported by the Royal College of Art, have since 2007 been researching sensory ways of perceiving landscape. The project, named Landscape & Perception, has focussed primarily on the Carn Menyn ridge in the Preseli Hills of South-West Wales and environs.

The source of the Stonehenge bluestones is widely accepted to be the Preseli Hills, a heritage site seldom studied but rich in sonic phenomena, notably the lithophones that litter Carn Menyn, the main rocky outcrop on the Preseli range.
A central premise of the Landscape & Perception project is to question the hierarchy between vision and sound in the building of prehistoric monuments, in particular the sacred sites of Avebury and Stonehenge, whose acoustic dimensions have never been properly assessed.
The BBC’s Inside Out South programme joined Devereux and Wozencroft first in Wales and then at Stonehenge, to report on their research and witness the sounding of the bluestones. You can watch the 10 minute package for the next week on the BBC iPlayer (UK only).
www.landscape-perception.com
Watch on the BBC iPlayer

TAPP 02 – Touch app for Android

TAPP 02 is a new app for Android that keeps you up-to-date with Touch news; read about and listen to tracks from the Touch catalogue; stream each and every Touch Radio episode; save Jon Wozencroft’s Touch cover art as wallpaper and cook meals from the Touch Recipe Book.

Programmers: Gary Homewood, Pavel Ivanov and Tim Medcalf
Art Direction & Design: Rebels in Control
Images: Jon Wozencroft

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