Stuck for what to make for those dinner guests? Just clear a space, put some plastic sheeting on the floor, crank up a very long Terry Riley record and put on a nice pinny.
1 Human being
1 brightly coloured plastic cape
1 gallon of Hellmans Extra Heavy Mayonnaise
3 boxes of instant mashed potato
3 jars of Heinz onion gravy
2 tins of supermarket baked beans (not too sweet)
1 dozen asparagus
1 large cabbage
1 packet grated cheese
Garnish with sliced red onion, radish
Add the above to a human in accordance with your mood and their disposition.
Preferably in front of an audience.
Pan de Muertos (Mexican Bread of the Dead)
Original Recipe Yield 1 large round loaf
• 1/4 cup margarine
• 1/4 cup milk
• 1/4 cup warm water (110 degrees F/45 degrees C)
• 3 cups all-purpose flour
• 1 1/4 teaspoons active dry yeast
• 1/2 teaspoon salt
• 2 teaspoons aniseed
• 1/4 cup white sugar
• 2 eggs, beaten
• 2 teaspoons orange zest
• 1/4 cup white sugar (for the glaze)
• 1/4 cup orange juice (for the glaze)
• 1 tablespoon orange zest (for the glaze)
• 2 tablespoons white sugar (for the glaze)
• Heat the milk and the butter together in a medium saucepan, until the butter melts. Remove from the heat and add them warm water. The mixture should be around 110 degrees F (43 degrees C).
• In a large bowl combine 1 cup of the flour, yeast, salt, anise seed and 1/4 cup of the sugar. Beat in the warm milk mixture then add the eggs and orange zest and beat until well combined. Stir in 1/2 cup of flour and continue adding more flour until the dough is soft.
• Turn the dough out onto a lightly floured surface and knead until smooth and elastic.
• Place the dough into a lightly greased bowl cover with plastic wrap and let rise in a warm place until doubled in size. This will take about 1 to 2 hours. Punch the dough down and shape it into a large round loaf with a round knob on top. Place dough onto a baking sheet, loosely cover with plastic wrap and let rise in a warm place for about 1 hour or until just about doubled in size.
• Bake in a preheated 350 degrees F (175 degrees C) oven for about 35 to 45 minutes. Remove from oven let cool slightly then brush with glaze.
• To make glaze: In a small saucepan combine the 1/4 cup sugar, orange juice and orange zest. Bring to a boil over medium heat and boil for 2 minutes. Brush over top of bread while still warm. Sprinkle glazed bread with white sugar.
Touch presents… as part of The Domino Festival:
In 2012 wordt het Engelse Touch 30 (!) jaar. Touch werd opgericht in ’82 en omschrijft zichzelf als een ‘audiovisuele operatie’. Een combinatie van klank en beeld. Wat beschouwd wordt als moeilijke avant-garde, geeft Touch mooi vorm. Inhouse designer is fotograaf Jon Wozencroft zelf. Opvallend aan de Touch hoezen zijn de vele natuurbeelden, vaak landschappen. “It’s a project about beauty. I can find myself working on it as a gardener would” dixit Wozencroft. Naast ‘sterren’ als Fennesz, Jóhann Jóhannsson, (ex-Cabaret Voltaire oprichter en ‘sound recordist’) Chris Watson en Mika Vainio, huisvest Touch ook straffe recente signings als revelatie Eleh en Jana Winderen (wiens cassette The Noisiest Guys On The Planet (Cassette, Ash International) opnames bevat van … garnalen).
Visit www.abconcerts.be for concert details in English, French and Dutch
Reviews can be found here:
1/2 head green cabbage
1-2 tbsp lemon juice
3/4 C yogurt (plain, whole milk)
generous handful of cilantro leaves, stems removed
1 Tbsp black mustard seed
1 serrano chili, diced
2 Tbsp cooking oil
Finely chop the cabbage. Add lemon juice, yogurt and cilantro leaves. Stir well, then set aside. Heat oil in frying pan until hot, nearly smoking. Add diced chili and mustard seeds, stirring until mustard seeds begin to pop. Pour oil/seeds/chilis onto coleslaw. Stir again.
Let rest in fridge for an hour before serving.
10.03.11 – Pub! – 38:31 – 192 kbps
Photo: Dave Knapik
Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store
10.03.11 – Ghost of Gnathonemus Petersii (2011) – 05:47 – 192 kbps
Alex Halsted is a fish. Specifically, the Gnathonemus Petersii is an Elephantnose fish native to the Niger River in West and Central Africa. The fish has very poor eyesight and emits a weak electrical field from electro receptors covering its body. These receptors allow the fish to send a sonar-like electric pulse similar to the bat’s use of echolocation.
On 24 September 2009, David More, a sound artist who creates sound works by harnessing variations from the fish’s electric field, and I, executed experiments using the frequencies created by the fish as white noise to record for Electronic Voice Phenomena (EVP) and additional energy provided by Heidi Harman using Reiki.
The EVPs captured were not only very strong, but they seem to also refer to the fish, to David and also in some cases seem to refer to itself as the fish. Is it possible that disincarnate entities taping into available frequencies to communicate also pick up personality or other energies that define the identity of the being it’s taping into?
Included in this adaptation is a previously unreleased composition created using the frequencies of the fish as well as the EVPs captured and separately, the EVPs captured during those trials.
Whatever the physics of the phenomena are from those experiments, one thing we are sure of: Alex Halsted is a fish.
Cover photograph and treatment: Heidi Harman (2009)
Subscribe to the TouchPod podcast of TouchRadio via the iTunes Music Store
Play “Ghost of Gnathonemus Petersii (2011)”
CD in digipak
Photography by Jon Wozencroft
Track A: Day and Night 27:14
3. Alas! [you can hear an extract from this track here]
4. The Sleeper in the Valley 13:32
CM von Hausswolff says: “I was approached by my old friend and Radium 226.05 colleague Ulrich Hillebrand, now director of Angered Theatre in Göteborg. He informed me that there was a new play in the process of being written by author and theorist Michael Azar called “Jag är en annan” (I is another) stemming form the famous letter written by Arthur Rimbaud in his youth. The play uses Rimbaud’s life from being a young poet in Charleville ending with him being the trader in Harar, Ethiopia. Hillebrand asked me if I was willing to compose the music to this play. I accepted. I told Hillebrand that I needed to use material that had something to do with Rimbaud’s life and as he had connections in Ethiopia and in the small city of Harar he said: why don’t you go to Harar for 10 days and see what you can find?
So I went to Addis Ababa where a guy was waiting for me and drove me the 10 hours beautiful ride to Harar. I made recordings and looked for other useful material.
There are 2 tracks. On the first track, which consists of three “parts” I have used material from Harar. The long dronic sounds are taken form an instrument that I, after searching for days, bought in Harar – it’s called a “krar” and is a string instruments (it’s quite clear that I have used a string instrument- also if you study Ethiopian music you came across the name of Saint Yared and he was the first to construct a notation system for music… much earlier than the Europeans). As I could not really master the actual playing of this instrument, I bought a bow for a violin and some rosin and with this I got one good tone out from this krar. Then the computer helped me to sort the modes and pitches out. On this piece there also two location recordings: the first one you hear is a recording I did outside Harar on a hill where there are next to no car sounds or other machine sounds – just the wind, insects, some kids and that (I wanted this recording to be more or less timeless or at least 19th century and forward… The second location recording was done in the night in my hotel, where I woke up one night and became fascinated by the leaking taps in my bathroom so I decided to records this.
On the second there are only oscillators used … several of them … AND using one low pitch oscillator I ran a sound filtered through. This sound is the low “rhythm” you can hear, and it’s a low pitched morse code signal… and the text is the famous poem Rimbaud wrote in his youth called Le Dormeur Du Val (The Sleeper in the Valley). This poem is a beautiful text starting off in the nature, where a person is sleeping in the grass. Slowly Rimbaud zooms in and we read that it’s a soldier and at the very end we are told he has two red wounds on his chest – the guy is dead!”
Arthur Rimbaud lived in Harar from 1884 until shortly before his death in 1891.
This is Carl Michael von Hausswolff’s first album for Touch, but the connection goes back many years, of course. Carl Michael von Hausswolff was born in 1956 in Linköping, Sweden. He lives and works in Stockholm. Since the end of the 1970s, Hausswolff has worked as a composer using the tape recorder as his main instrument and as a conceptual visual artist working with performance art, light and sound installations and photography. You can read a full biog on his website.
Buy CM von Hausswolff “800 000 Seconds in Harar” in the TouchShop
In 1946, just a few years before his death, George Orwell wrote a piece for London’s Evening Standard newspaper, “A Nice Cup Of Tea”. You can read the full text below. He makes tea in a very different way to me, but this article is part of the centuries-long debate about how to make a good cuppa…
Here is my recipe…
It is absolutely essential that the water used for making a proper cup of tea is boiling. Do not accept anything less than boiling water poured into a mug (or cup).
1 x Denby white squares mug
Tea – the type of tea depends on what time of day it is that you wish to drink your beverage. I have a cup of Yorkshire Tea first thing, English Beakfast Tea with breakfast, Ceylon Tea late morning and Daarjeeling in the afternoon.
Milk – I always put the milk in first. This is a controversial aspect of tea-making. I use semi-skimmed organic and prefer my tea quite milky. The milk, of course, must also be cold.
Water – the water MUST be boiling hot.
Stir to your desired strength (I personally prefer quite weak tea).
Please remember to recycle your teabag. I put it in the compost bucket for the worms…
Autofact # FACT 12/Touch # Tone 28
This release is now available again from the TouchShop
Double LP Vinyl only
Art Direction & Design by Jon Wozencroft
Spire Live – Fundamentalis is a collection of live tracks recorded at various Spire events held throughout 2005 and 2006. Released in association with US label, Autofact, Touch presents a selection of tracks performed by the main performers of Spire: Fennesz | Philip Jeck | BJNilsen | Charles Matthews | Marcus Davidson. Improvised pieces from Fennesz, BJNilsen and Philip Jeck contrast with a performance by Charles Matthews of a scored composition by Italian composer Giacinto Scelsi, ‘In Nomine Lucis’, and Marcus Davidson’s self-penned ‘Standing Wave’, which ends side two with a locked groove. Cut to preserve and enhance the bottom end frequencies, Fundamentalis is not merely a document; the tension between and within the individual pieces is palpable. Fennesz’s set “…evokes the rolling centuries in all their pain and beauty, leaving us at once becalmed and energised, but never oppressed under the weight of time.” Electronics breathe new life not only into the organ, but also into the setting. But successor does not mean replacement. Ultimately, it’s the majestic sound of the organ, so steeped in centuries of tradition, that one remembers above all else.
Spire is one of the most innovative projects around, drawing on the full canon of organ works, from the very first annotation in the Robertsbridge Codex from the 14th Century, to max msp patches and software sampling… With two CD releases and 9 performances in cathedrals and churches throughout Europe, Spire remains a potent live force in harnessing the sounds of the ages.
Philip Jeck – Live in St. Michel & St. Gudula Cathedral, Brussels
[as part of Les Nuits Botaniques] 7th May 2006
1. Charles Matthews – Live in St. Michel & St. Gudula Cathedral, Brussels
[as part of Les Nuits Botaniques] – plays Giacinto Scelsi: In Nomine Lucis 7th May 2006
2. Marcus Davidson – Live in Masthuggs Church, Göteborg
[as part of the GAS Festival] – Standing Wave 4th October 2005
BJNilsen – Live in Masthuggs Church, Göteborg
[as part of the GAS Festival] 4th October 2005
Fennesz – Live in St. Michel & St. Gudula Cathedral, Brussels
[as part of Les Nuits Botaniques] 7th May 2006
Compiled and edited by Mike Harding October/November 2006
Cut by Jason at Transition, London, on a Neumann VSM 70 March 2007
Buy “Spire Live – Fundamentalis” [Double Vinyl] in the TouchShop
[Pic: Sandra Jasper]
A vodka-based cocktail found in Touch’s local, Ega.
Chilled Russian Vodka, Mandarin, Napoleon Liqueuer, Lemon and Gomme topped with Ginger Beer. Served in a cool flute.