Touch, September 2013
Introducing the Touch Mentorship Programme
Touch has established a curated mentorship programme, whereby assistance is given to individuals whose methods and aims of working we respect and would like to support. This could take the form of assistance with application and grant proposals, working practices and also with general advice and input from our experience and background in the creative industry.
Please note: this programme is curated so we cannot accept any applications.
Bethan Parkes (UK) - www.bethanparkes.net
Touch Radio 98 | Group Three
11.09.13 - Group Three - Live - 26:53 - 320 kbps
L@TE: Friday Night at BAM/PFA
July 26th, 2013
University of California Berkley Art Museum & Pacific Film Archive
Thingamajigs and Sasha Hom created 9 long vertical scrolls, at once musical score, artwork, poetry, and cartography that ascended the cavernous space, catalyzing the musical performances of three different improvising groups and transforming Gallery B into a collaborative map.
Kaori Suzuki - original hand built MEM analog synthesizer
Marshall Trammell - percussion
Zachary James Watkins - electronics
Diluvial | Beaconsfield, London 13th September 2013
Celebrating the launch of the album (CD, Touch # TO:87)
6pm 13 September 2013,
Beaconsfield, 22 Newport Street, London SE11 6AY
As the rain returns to London, join us for the launch of a collaboration between Bruce Gilbert, David Crawforth and Naomi Siderfin.
According to this initial review from the Pinkflag site: "I purchased it from Touch as I like physical product, but also enjoyed being able to immediately download it. Remarkably different from what I was expecting. Not so harsh with considerable environmental field recordings thrown into the mix. While no rhythms are present, it is musical and sounds like what it is supposed to be: an allusion to the seven days of creation... a concept album. On my second listen and am finding it be perhaps Gilbert's most intelligent release ever. Remarkable, full, long (9-13 minute) soundscapes and nothing like any of his previous works. It is a collaboration and I gather the field recording aspects of it are attributable to BAW (Beaconsfield ArtWorks) while Gilbert scored it. In that regard, it reminds me of his soundtrack work for Downriver, only better. In fact this is so good, it is probably his best work to date. I really like the logic of it... each immense track evolves into the next (although there are distinct track separations). Quoting from the liner notes: "Taking rising sea levels as its them, Diluvial imagines the world before, during and after the next great flood, referring to an ancient, ex nihilo interpretation of global warming." [specotron]
In St Cuthbert's Time | BBC Radio 4 "Saturday Live"
BBC Radio 4's "Saturday Live" this morning featured a package by John McCarthy, who travelled to Durham to see the Lindisfarne Gospels, on loan from the British Library for 3 months and on display as the centre piece of a major exhibition at Durham University’s Palace Green Library.
Chris Watson is featured in the piece, discussing his part in this project, which resulted in his latest CD, "In St Cuthbert's Time".
Listen again on the BBC iPlayer – the section featuring Chris commences 32m56s into the broadcast.
Anthology Film Archives | A Tour of Phill Niblock's Film Works
Phill Niblock's 80th birthday is to be celebrated at the end of September with screenings of his film works at New York's Anthology Film Archives. Details of his upcoming Touch release to follow soon…
28th September – 30th September 2013, Anthology Film Archives, NY
It is mindboggling that a man with the tireless energy and ceaseless touring schedule of Phill Niblock is about to turn 80. An internationally recognized artist with a wide body of music, film, photography, video, and computer works, Niblock has specialized in making intermedia performance since the mid-1960s. As a composer, he creates thick clouds of drones that are filled with surprisingly active microtones and timbres that generate many other tones in the performance space. During concerts of his music, Niblock simultaneously presents films/videos focused on the movement of people working, or computer-driven black-and-white abstract images floating through time. While Niblock is best known today as a minimalist composer, he actually started his artistic practice with film (and photography) – in fact, his first compositions were created to accompany his films.
Born in Indiana in 1933, he has been an artist/member of the vital Experimental Intermedia Foundation in New York since 1968, and its Director since 1985. Over the years he has produced more than 1,000 performances at the EI loft in Soho, acted as curator of the innovative XI Records label, and launched a second EI space in Ghent, Belgium. Recordings of his music are available on the XI, Moikai, Mode, and Touch labels, and DVDs containing his films and music have been released on the Extreme and Die Schachtel labels.
This program provides a glimpse into the broad range of Niblock’s cinematic explorations, from rarely-presented early works to a selection of films from his well-known “Movement of People Working” series, which he usually shows at his concerts.
This 80th birthday tribute has been curated by Katherine Liberovskaya.
TO:88V | Mika Vainio & Joachim Nordwall "Monstrance"
Limited edition 2x45rpm vinyl version
Cut by Jason at Transition
Brainwashed wrote: "Monstrance is an intense, rumbling piece of jagged metal that, even in its lighter moments is unsettling and uncomfortable. But despite its iron trappings and serrated surges of noise, it is indisputably organic, a sensibility that is rarely associated with Vainio's output. It comes across as natural though, and results in this bleak, moody recording that excels in its darkness."
TO:92 | Burkhard Stangl "Unfinished. For William Turner, painter."
CD Album - Jewel Case - 3 tracks
Design & photography by Jon Wozencroft
Premastering by Christian Fennesz
Mastering by Denis Blackham @ Skye
1. part 1 - Unfinished - mellow 33:39
part 2 - Unfinished - waiting
part 3 - Unfinished – longing
2. Unfinished - sailing 16:44 - [you can hear an extract here]
3. Unfinished - ending 2:55
"The sun is God" (The last words of painter, JMW Turner)
"Which side of the picture should be hung uppermost? - 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art and its pioneers. Like Goya one generation before him, Turner is one of those artists whose language was becoming radicalized in the high age. (In the field of music he is the contemporary of Beethoven.) His later paintings transcend light, full of poetic imagination, exquisite liquid calm. Free pure painting - nothing as light, air and water. When I left the exhibition, it was clear to me that this visit was the starting point for my musical approach to his paintings. Over the years, it was a pleasent challenge to get closer and closer to the painter’s complex simplicity, transforming the enigmatic atmospheres of his late and unfinshed works into personal tempting musical soundscapes." Burkhard Stangl, September 2013
#1 recorded live by Norbert Benesch at Porgy and Bess, Vienna, 4th January 2013
#2 recorded by Fennesz at Amann Studios, Vienna, 5th March 2013. First take, no edits, no cuts.
#3 recorded live by Philip Leitner, at Garnison7, Vienna, 18th June 2010
Burkhard Stangl: electric guitar and tapes (electronics and field recordings). Unfinished 1 (mellow) is based on Stangl’s composition for three zithers Mellow (My Feldman), dedicated to and played by Trio Greifer.
TO:91 | Phill Niblock "Touch Five"
2xCD Album - Jewel Case - 5 tracks
1. FeedCord Ear (featuring Arne Deforce)
[you can hear an extract here]
2. A Cage of Stars (featuring Rhodri Davies)
1. Two Lips (featuring Zwerg Guitar Quartet)
2. Two Lips (featuring Dither Guitar Quartet)
3. Two Lips (featuring Coh Da Quitar Quartet)
In October 2013 Phill Niblock will be 80…
Phill Niblock writes:
"These CDs include pieces made in two different ways. Traditionally (since 1968), I recorded tones played by an instrument (by an instrumentalist), arranging these single tones into mutli-layered settings, making thick textured drones, with many microtones. In the early days, I prescribed the microtones, tuning the instrumentalist, when I was using audio tape. Later, I used the software ProTools, and made the microtones as I made the pieces. FeedCorn Ear and A Cage of Stars were made this way. In 1998, Petr Kotik asked me to make a piece for orchestra, so, I began to make scores for the musicians to play from. The form of that piece, and the subsequent six scored works, were patterned after a piece in 1992-94, where the musicians were tuned by hearing tones played from a tape through headphones. These are the instructions for the scored piece on the second CD, Two Lips. The score was prepared by Bob Gilmore, from specific directions by me. TWO LIPS, aka Nameless, is conceived as two scores, A and B, to be played simultaneously, lasting 23 minutes. Each score consists of ten instrumental parts. The twenty separate parts should be distributed randomly amongst the musicians of the ensemble; the 'A group' and the 'B group' are not separated spatially."