Release date: 23rd August 2024
Available to order now on Bandcamp
Track Listing: [CD – 15 tracks – 58:43]
1. Rivers of Sand
2. Chateau Rouge
3. City of Light
4. Onsra
5. Circassian (guitar: Burkhard Stangl)
6. Onsay
7. The Other Face
8. Transit (vocals: David Sylvian)
9. The Point of It All
10. Laguna
11. Asusu
12. The Stone of Impermanence
13. Sognato di Domani
14. Tree
15. The Future Will Be Different
All tracks written, mixed and produced by Christian Fennesz
Re-Mastered by Denis Blackham
Photography & Design: Jon Wozencroft
The 20th anniversary re-issue of Fennesz’s best-selling ‘Venice’, originally released in 2004, is now available as a deluxe version remastered by Denis Blackham, with new and extra tracks not on the previous CD or vinyl versions. Included in the DVD-format edition is a booklet with texts by Fennesz himself, Denis Blackham & Jon Wozencroft, with unseen photographs from the original 2004 sessions. The booklet also reproduces David Sylvian’s original handwritten lyrics for ‘Transit’. This “stunning collaboration with David Sylvian continues where their fantastic duo track on Sylvian’s album Blemish left off. Situated directly in the middle of a mostly subdued listening experience, ‘Transit’ literally bursts out of the speakers accentuating the album’s more pop-like characteristics as well as its more restrained moments.”
Denis Blackham:
“Fast forward to 2024 and here I am again with the same original master mixes I used in 2003 to make a new and expanded version of the album – Venice 20. A little over twenty years later, technology in audio production, recording and mastering has improved substantially, so I was excited to return to this album and give my 2024 treatment.”
Jon Wozencroft:
“…The whole work has a stillness and a stature that is essentially timeless. This is of course exemplified by the collaboration with David Sylvian on ‘Transit’, which, now 20 years on, has all come true. I hoped the cover art to be on the level of a painting, to endure, like the music. It’s mad because I’d never claim to be able to paint, or assume that photographs can endure as long as paintings can. The work with Christian, which continues, always moves me and above all it’s a chemistry, a feeling you can’t quite put your finger on.”
Christian Fennesz:
“Over months, I collected material for the album: short recordings of acoustic and electric guitars, experiments with newly introduced soft synths and samplers, and field recordings, sometimes done on the go and directly in Venice, where I stayed for several weeks. The sound and acoustics of the city fascinated me. From my room, you could clearly hear conversations at night with the window open, but it was uncertain whether they came from the neighbouring house or several blocks away, as if the sound waves in Venice followed their own rules. It was during this time that the idea for Venice as an album title came to me, as a suggestive description of a dignified decline, decay, death, and rebirth. David Sylvian’s lyrics and vocal performance for ‘Transit’ perfectly encapsulated this idea for me. The piece remains a highlight of a wonderful, ongoing collaboration.”
