Fever Ray has announced that Hildur Guðnadóttir will be opening shows on her 2009 “Finale Tour”. Fever Ray is the acclaimed solo project of Karin Dreijer Andersson, formerly singer with 90s pop hopes Honey Is Cool and now one half of The Knife.
Further details can be found on www.feverray.com
Hildur’s full live schedule can be read at www.hildurness.com
Biosphere, Hildur Guðnadóttir, Philip Jeck and Jana Winderen will be performing in the Lutherse Kerk, Den Haag, the Netherlands, as part of the TodaysArt 2009 festival this September.
The Lutherse Kerk will be one of the most exclusive locations of the festival. “Any performance here will be special; the acoustics of the Lutherse Kerk are outstanding and so is the ambience” say the festival organisers. “A very special church hall, inspiring artists and great acoustics; all the elements are in place to make the performances at this location legendary.”
Appearing at the Lutherse Kerk on Friday 25th are Jana Winderen and Philip Jeck. The 26th sees Hildur Guðnadóttir and Biosphere take to the stage, plus a performance of the “Eternal Chord”.
Due to the size of the Lutherse Kerk, it is advisable to show up in time to see your favorite artist.
In addition, on the afternoon of Saturday 26th Touch will be doing a Q&A in the Filmhuis. Led by Mike Harding, anybody who is interested will get the chance to talk with Touch, including the artists performing at TodaysArt 2009.
More info and tickets at www.todaysart.nl
Photos of the event can be found here
Pestival – 7:30 pm 6th September 2009
Chris Watson curates… Cross Pollination – An Evening of Experimental Insect Music, with performances by: Philip Jeck | Marcus Davidson & The Bee Choir – The Bee Symphony – as part of this piece Chris Watson multi-channel diffusion his own recordings of bees and also those made by Mike Harding in Kent in May 2009. A story of this recording trip can be found on the Touch Radio website | Maria Jardardottir introduced by Atau Tanaka.
There is a feature in The Guardian (4th September 2009) which can be read here and a blog here . You can hear an interview with Chris Watson on The Strand here.
Touch, Biosphere’s Geir Jenssen, his label Biophon Records and his publishers Touch Music would like to warn fans of a release by another artist who has decided to assume the name Biosphere, too…
Touch strongly advise fans of Biosphere to avoid buying this release. Any official Biosphere releases will be announced on Touch’s site or www.biosphere.no.
Biophon Records writes: ”We have noticed that there is some confusion on an album release called Solar Systems by an artist using the name Biosphere. Please be aware that this is NOT a Biosphere release. It’s a cheap Trance album (German style…) written by somebody we believe is Canadan. and released by the Canadian label Hopeful Tragedy Records.”
September sees Touch artists travel to Norway to take part in two festivals.
Ultima ’09, the Olso Contemporary Music Festival, includes performances by Hildur Guðnadóttir [13.09.09] and “Noise and the imagination”, a discussion between Jana Winderen, Ole Anton Engen (Health and Welfare department at Oslo City Council) and Touch’s Mike Harding [16.09.09]. Jana also gives a live performance, ‘Blind Field Recordings’.
Meanwhile, at Stavenger’s Numusic Festival, Philip Jeck is performing and in discussion with The Wire, Fennesz plays live [all 10.09.09], and Biosphere performs a “set of newly arranged club classics” [11.09.09].
Wildlife sound recordist Chris Watson investigates the man-made noise pollution which is becoming increasingly invasive in our lives and in our environment, affecting both humans and wildlife. He explores what noise is, the impact of man-made noise and the possible long-term consequences if we don’t turn the volume down.
In the oceans, increasing levels of background noise is disrupting long-distance communication among whales. On land, studies of Great Tits have revealed how birds near busy roads sing at higher frequencies than those in nearby quieter woodlands.
In 1996 the European Commission issued a Green Paper which stated that an estimated 20 per cent of all EU citizens were exposed to noise levels that scientists and health experts considered to be unacceptable, at which most people become annoyed, sleep is disturbed and health may be at risk. Noise is a health issue as well as a nuisance. Recent studies have demonstrated excessive risks of hypertension in people living near airports, even when asleep.
Following the Green Paper, the European Commission issued a directive for member states to map noise levels of major cities. Today, noise, like air and water pollution, is an environmental issue which governments and policy makers cannot ignore.
Chris discovers that education is the first step in taking personal responsibility when he explores the potential damage of exposure to loud music in public venues or on personal listening devices.
Presenter: Chris Watson
Producer: Sarah Blunt
First broadcast on BBC Radio 4, 9:00pm Thursday 20th August, this show is now available on the BBC iPlayer, for a week.
www.chriswatson.net
“A Problem With Noise” on the BBC iPlayer
From August 15th – 24th 2009, Touch was away on a residency at The Aldeburgh Music Festival [curated by Faster Than Sound]. We are working on a new project, The Suffolk Symphony.
Faster Than Sound presents The Suffolk Symphony by Touch, featuring Philip Jeck, BJNilsen, Jon Wozencroft, Mike Harding and Philip Marshall.
8pm – 11pm, Saturday 22 August
Hoffmann Building: Britten Studio and Jerwood Kiln Studio, Snape
Tickets: £10.00
Box Office: +44 (0)1728 687110
Book tickets online
Faster Than Sound bring more imaginative experiments with sound and image to the Snape Proms with The Suffolk Symphony, a specially commissioned residency and new work by leading sonic and visual production company Touch. Inspired by the historic coastline of Aldeburgh and its surrounding area including Aldeburgh Music’s Snape Proms and its history, Touch will create a new audio-visual symphony from scratch, using only locally sourced sounds and images. Beginning on 16 August, Philip Jeck, BJNilsen, Jon Wozencroft, Philip Marshall and Mike Harding will go on a week-long treasure hunt to unearth old records, field recordings, home-made sounds and images to create a new multimedia Suffolk Symphony, culminating in its first performance on the 22 August.
Following the offer of an Aldeburgh Residency by Faster Than Sound’s creative producer Joana Seguro, Mike Harding responded with the idea of creating a new multimedia work purely from locally sourced sound and image. Mike and BJNilsen went on an exploratory field trip in May to make initial field recordings which are being made into vinyl to be used in the performance.
The artists are already busy exchanging ideas in preparation for the residency in August, with Jeck drawing inspiration from the work of Benjamin Britten, especially his Simple Symphony, and Jon Wozencroft planning to describe the special place of Aldeburgh on film, shot in real time during the residency.
Directed by Mike Harding with sound by Philip Jeck and BJNilsen and images by Jon Wozencroft, the whole week was documented for an interactive website by Philip Marshall. The residency featured workshops and presentations by Philip Marshall and Mike Harding, including interviews with the other artists and a Touch showcase, culminating in the performance which will take place in the recently converted industrial space of the Hoffmann Building.
The interviews by Mike Harding during the residency included a discussion with his partner Jon Wozencroft about his vision for Touch, now nearly 30 years old, and an assessment of the changes which have occurred in that period. Philip Jeck discussed his work, particularly the method behind his live and recorded output, which eschews conventional instrumentation. BJNilsen assessed how field recordings have developed as source material for his work, and Philip Marshall described the way artists communicate their ideas online and how this affects the relationship between them and their audience. Each interview lasted for one hour, including a 15 minute Q & A session.
www.fasterthansound.com
www.aldeburgh.co.uk
Book tickets online
LP – 7 tracks – 48 minutes
Vinyl version edited and remixed in Berlin, July 2007.
Track listing:
A1. Front
A2. Finisterre
A3. Pole of Inaccessibility
A4. Viking, Cromarty…
B1. Black Light
B2. Icing Station
B3. Viking North
Using location recordings, weather, birdsong and radio, BJNilsen continues to map and explore uncharted territory.
A follower to 2005’s Fade to White [Touch # TO:65], BJNilsen develops his work further, based on field recordings and electronics. This time he adds harsher yet clearer harmonies with musical elements to the compositions, creating a beautifully complex and detailed study. Recorded in 2006-7 with mostly analogue equipment, using up to 50 year-old tapemachines, filters and generators that end up being the soft cushion in these cold location recordings.
Location recordings from Mälaren, Stockholm, Sweden; Coombe Gibbet, Berkshire, England and Landakot, Vatnsleysuströnd, Iceland.
Telefunken M10 and M5, Studer B67, Ferrograph Series 4, Bruel and Kjær Sine-Random Generator and Frequency Analyzers. Also Monowave, Sequential Circuits ProOne, Korg MS20, Esq1, MOTU 828MK2, Ableton Live, Logic Audio 6
Morin khuur on Black Light played by Hildur Ingveldardóttir Gudnadóttir
Bleep.com write: “Touch, and their output over the years, has always captured our attention here at Bleep – from their unique, musical approach to stunning, landscape photography used for release artwork. In acknowledgement of their progressive approach to music, we are very happy to have a comprehensive catalogue on board reduced at a special price for your buying pleasure in both physical and digital format, an interview with Jon Wozencroft and a selection of favourite releases picked by some of the Touch artists and staff.”
The Touch showcase can be found here on Bleep.com. Their interview with Jon Wozencroft can be read on the Bleep blog. Finally, there are “Best of Bleep” charts from Fennesz, Philip Jeck, Geir Jenssen, Mike Harding and Jon Wozencroft.
Rosy has created a headphone sound piece for Sonic Museum at the Auckland War Memorial Museum. “Dawn” was commissioned for the WW2 Hall of Memories. The installation runs until 29 November 2009. A sample of “Dawn” can be heard here, and the track downloaded from here.
In addition, on Saturday July 11, 7.30pm at St Paul Street Gallery, Rosy will be performing live to a screening of “Tuolumne: The Lights and Perfections”, a Super 8 film by Paul Clipson [USA].
The comedy actor Mollie Sugden died yesterday at the age of 86 after a long illness. She was best known for playing Mrs Slocombe in long-running BBC sitcom “Are You Being Served?”. An obituary from news.bbc.co.uk can be read here.
As a tribute, please click here for a short mp3 clip, taken from Touch’s first edition, Feature Mist.
Touch # TO:52LP
Gatefold vinyl edition
Artwork & Design by Jon Wozencroft
Cut by Jason at Transition
Originally released on CD by Touch in 2002
Track list:
Side One
1. Odi Et Amo (3:10)
2. Englabörn (1:34)
3. Jói & Karen (3:24)
4. Þetta Gerist Á Bestu Bæjum (1:02)
5. Sálfræðingur (3:49)
6. “Ég Sleppi Þér Aldrei” (2:57)
7. Sálfræðingur Deyr (3:40)
8. Bað (3:07)
Side Two
9. “Ég Heyrði Allt Án Þess Að Hlusta” (2:05)
10. Karen Býr Til Engil (3:45)
11. Englabörn – Tilbrigði (1:24)
12. “Ég Átti Erfiða Æsku” (3:41)
13. Krókódíll (2:45)
14. “Ef Ég Hefði Aldrei…” (3:42)
15. …eins og venjulegt fólk (3:51)
16. Odi Et Amo – Bis (4:00)
Faster Than Sound presents ‘The Suffolk Symphony’ by Touch, featuring Philip Jeck, BJNilsen, Jon Wozencroft, Mike Harding and Philip Marshall.
8pm – 11pm, Saturday 22 August
Hoffmann Building: Britten Studio and Jerwood Kiln Studio, Snape
Faster Than Sound bring more imaginative experiments with sound and image to the Snape Proms with The Suffolk Symphony, a specially commissioned residency and new work by leading sonic and visual production company Touch. Inspired by the historic coastline of Aldeburgh and its surrounding area including Aldeburgh Music’s Snape Proms and its history, Touch will create a new audio-visual symphony from scratch, using only locally sourced sounds and images. Beginning on 16 August, Philip Jeck, BJNilsen, Jon Wozencroft, Philip Marshall and Mike Harding will go on a week-long treasure hunt to unearth old records, field recordings, home-made sounds and images to create a new multimedia Suffolk Symphony, culminating in its first performance on the 22 August.
Following the offer of an Aldeburgh Residency by Faster Than Sound’s creative producer Joana Seguro, Mike Harding responded with the idea of creating a new multimedia work purely from locally sourced sound and image. Mike and BJNilsen went on an exploratory field trip in May to make initial field recordings which are being made into vinyl to be used in the performance. The artists are already busy exchanging ideas in preparation for the residency in August, with Jeck drawing inspiration from the work of Benjamin Britten, especially his Simple Symphony, and Jon Wozencroft planning to describe the special place of Aldeburgh on film, shot in real time during the residency.
Directed by Mike Harding with sound by Philip Jeck and BJNilsen and images by Jon Wozencroft, the whole week will be documented for an interactive website (now offline) by Philip Marshall. The residency will feature workshops and presentations by Philip Marshall and Mike Harding, including interviews with the other artists and a Touch showcase, culminating in the performance which will take place in the recently converted industrial space of the Hoffmann Building. The Suffolk Symphony will be subsequently released through Touch.The interviews by Mike Harding during the residency will include a
discussion with his partner Jon Wozencroft about his vision for Touch, now nearly 30 years old, and an assessment of the changes which have occurred in that period. Philip Jeck will discuss his work, particularly the method behind his live and recorded output, which eschews conventional instrumentation. BJNilsen assesses how field recordings have developed as source material for his work, and Philip Marshall describes the way artists communicate their ideas online and how this affects the relationship between them and their audience. Each interview lasts for one hour, including a 15 minute Q & A session, and dates and times will be shortly be announced via the website.
www.fasterthansound.com
www.aldeburgh.co.uk
Book tickets online
Touch now has an official Twitter account. From there, we will be updating you with info on new editions in the TouchShop, TouchRadio broadcasts, and more… Follow us @touchmusic
A2 Poster, gloss stock
Designed by Jon Wozencroft
…discovered in the depths of the Touch archive, this poster advertises the long-deleted Tone 7 and Tone 7.1 from 1997 – New Order’s “Video 5-8-6”, which was recorded in 1982, initially as soundtrack to the opening of The Haçienda in Manchester, England.
These copies are from the original 1997 poster print-run. As such, they have minor blemishes (small crease marks to the edges) which, we believe, will be obscured when framed-up. Be quick! We only have a handful of these A2 Posters available…
Now sold out
A lengthy extract of Jana Winderen‘s CD ‘Heated’ [Touch # Tone 36] was played by Fiona Talkington on Late Junction on BBC Radio 3 last night. You can hear the episode here for 7 days. The live recording, along with a 7″ vinyl and cassette release, is available in the TouchShop here.
Many thanks to all who attended Touch Presents, live at the Queen Elizabeth Hall. A fine review of the evening has been posted over at the Mapsadasical blog, and Drowned in Sound acclaim the “triumphant performance” with a 9/10 review.
The next Touch Presents… in London is now only a week away.
Touch Presents, live at The Roundhouse
16th May 2009, as part of The Short Circuit Festival.
Philip Jeck [UK] and the Gavin Bryars Ensemble [UK/FR] – “The Sinking of the Titanic”
Biosphere [NO]
Hildur Gudnadóttir [IS] & BJNilsen [SE]
+ an installation by Chris Watson
+ in the bar, Sheikh Ahmed selecting sounds from the Touch catalogue
Further information at www.roundhouse.org.uk
Book tickets online
Visit www.guardian.co.uk to read “Sinking of the Titanic: the watery sound meditation returns”, an article previewing the Gavin Bryars Ensemble / Philip Jeck performance next weekend at Touch Presents… at the Roundhouse.
“For his prologue, Jeck used a test tone record that had been lying around without a case for years. “What I’m trying to set up, it’s like an empty ocean, with bits that are like a premonition for things that are going to come,” he says. Amid the static from this battered record come foghorn-like tones and hisses like a diver’s air supply – this is a transmission being excavated from the past. “Philip is a genius, no doubt about that,” says Bryars.”
[nb: Jeck is not a DJ!]
www.guardian.co.uk: Sinking of the Titanic: the watery sound meditation returns
Further information about Touch Presents… at www.roundhouse.org.uk
Purchase The Sinking of the Titanic in the TouchShop
This Friday May 1st sees a rare screening of “Liquid Music” at Tate Britain’s Late at the Tate event. Produced by Jon Wozencroft for Christian Fennesz’s live performances during 2001-2004, the film has so far been impossible to master onto DVD. The soundtrack is from one of Fennesz’s finest performances, in Brighton, from the Touch tour of 2001.
As part of the night’s theme, “Polish Connections”, artist Janek Simon will perform an “optical intervention” in parallel to the original footage. There will be two screenings, at 7.30pm and 8.30pm, in the Duffield Room. Anybody interested in attending is advised to get there early, as space is limited and admission is free.
Film notes for “Black Sea” by Jon Wozencroft, premiered last night at Fennesz’s Ether 09 performance in London.
Following Touch: Isolation which covered the first lockdown period in the UK, Touch: Displacing as a full album is now available; the focus falls on longer-form compositions, originally released on a monthly basis over 2020-2021 and featuring artists for whom duration is a key feature of their work.
Full album now available - 28 exclusive tracks recorded by Touch artists,
with the final track delivered on 25th May 2020. A photographic counterpoint by Jon Wozencroft, the view from Hampstead Heath during the London lockdown.