Design & photography by Jon Wozencroft
1. Liminal 3:07
2. July 5:06
3. Shift 6:47
4. Seven Stars* 3:01
Recorded in Studio B, Amannstudios, Vienna.
Acoustic and electric guitars, bass, synths, computers.
*Seven Stars features Steven Hess on drums, recorded at Amannstudios by Christoph Amann
Fennesz’s first solo release since Black Sea [Touch # TO:76, 2008] – CD version. It will also be available as a digital download. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure.
Fennesz writes: “Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which i have reworked. (I wrote an early version of Liminal in a hotel room in Bali in 2010). There is also a version of Liminal that I have been playing live for some time. My friend Steven Hess, with whom I have worked before, happened to be in Vienna at the time of the sessions, so I invited him to join me in the studio. Christoph Amann recorded the drums using a selection of his great microphones including his amazing new Josephson.
I wanted to make a record that has a certain lightness about it and at the same time explore new territory using drums on one track. This might be something I will continue with in the future.”
Fennesz’s third collaboration with Ryuichi Sakamoto, Flumina, is due out in November on Touch.
A special concert for the 100th anniversary of the sinking of the Titanic, with The Gavin Bryars Ensemble & Philip Jeck.
Composed in 1969 and first recorded for Brian Eno’s Obscure label, Gavin Bryars’s The Sinking of the Titanic was inspired by reports that the ship’s string ensemble continued to play the hymn tune Autumn as the vessel sank in April 1912. Featuring projections of archival images curated by Bill Morrison and Laurie Olinder.
Tickets are now available from www.barbican.org.uk
The CD is still available from the TouchShop…
12″ White Label vinyl + 320 kbps MP3 download
Cut by Jason @ Transition
The second in the series of limited edition vinyl in the Tone 45 series, after BJNilsen’s now deleted “Vinyl” [Touch # Tone 45.1].
Side One 45 rpm
1. Shika 1.1 5:55
2. Shika 1.2 8:03
Side Two 33 rpm
1. Ikata 6:21
The Sight Below is a project created by Rafael Anton Irisarri, an American composer, multi-instrumentalist, curator, producer and mixed media artist. In this guise he has produced two full-length CDs on Ghostly International, “Glider” (2008) and “It All Falls Apart” (2010), and most recently, under his own name, “The North Bend” for Room 40. The connection between The Sight Below and Biosphere starts with the latter’s remix of ‘The Sunset Passage’ from the “Glider” CD, released on a limited 12” in 2009.
“N-Plants_Remixes” is a superb extension of Biosphere’s “N-Plants” CD as well as a fine release in its own right. Only 300 copies have been pressed.
7″ Vinyl Only – cut by Jason @ Transition
Artwork and photography by Jon Wozencroft
A: Ingress 2:42
B: Re-Exit 2:42
TS12 – the next in the series of vinyl-only Touch Sevens [TS11 and TS13 to follow in 2011] – is Monad by Bruce Gilbert, whose career stretches back to late 1960’s British avant garde art & music scenes, and has since played an important and influential role with his involvement in various rock based formations, work for choreographic projects and art installations…
Instruments: Korg Monotron Analogue Ribbon synth, Zoom RFX-200, Korg Kaos Pad 2, Apple GarageBand
Coruscating | Metallic | Hard | Structured Chaos | Loud
Very healthy and easy to make bread. No proofing needed since the rising is a chemical process not organic one. You can add nuts or seeds as desired.
20ozs. Strong brown flour (or 10ozs Canadian Strong Brown and 10ozs normal strong brown)
5ozs. white flour
2ozs. porridge oats
2ozs. wheat germ
1 teaspn (rounded) Baking soda.
625mls =1 ¼ pts Buttermilk or diluted 500ml tub of Yogurt works too
1/4 teaspoon Salt
Preheat Over to 180°C
Mix flours, wheat germ and porridge oats in a bowl sieve in soda (to make sure no lumps) and salt.
Mix well then add the buttermilk.
Mix but just enough (a minute or two tops) – if you mix too much the bread will be flatbread – purists say you need to use a wooden spoon for this part.
Mixture should be wet but hold together in a ball.
Use non slick bread tins (for a loaf effect) or more traditionally flattened the mixture on a non stick baking tray.
Sprinkle with more oats if desired.
Bake at 180°C for 30 minutes. Reduce heat to 160°C and bake for a further 20 minutes approx. Its done if you put a skewer into the bread and it comes out dry.
Remove from tin and place on a wire rack to cool.