CD – 14 tracks – 63 minutes

Release date: 25th May 2018

Track listing:

CD – 7 tracks – 39:51

Release date: 25th May 2018

Track listing:

1 Weathered
2 Dark Night Sky Paradox
3 Opposite Day
4 The Yes_No Game
5 Aethēr
6 Flight Of Fancy
7 Instable

All titles composed and recorded by Mark Van Hoen in Los Angeles 2016
Photography & design by Jon Wozencroft
Mastered by Denis Blackham

In mid 2016 I did a brief tour of the west coast with Philip Jeck, Simon Scott, Daniel Mensche, Lee Bannon, Kara-Lis Coverdale, Pye Corner Audio and Marcus Fischer. The music of all these great artists and the experience of playing these shows with them all informed what would become ‘Invisible Threads’ which was primarily composed and recorded in the latter half of 2016. I had not played live at dates in such a dense cluster for many years, and the exposure to so much great music and the artists was inspiring. Other Touch artists were also an influence here – Claire M Singer, Jana Winderen and as ever Chris Watson (who has been an enduring influence from the moment I first heard Cabaret Voltaire in 1979)… along with my project ‘drøne’ with Mike Harding… the collaborative aspect of drøne brought up a few new paths in itself.

During the time I was recording the album I was editing audio and sound design for films – this too went some way to defining the structure and sound of ‘Invisible Threads’. At the time of recording several of the titles on the album, I had re-read ‘The Conversation of Eiros and Charmion’, a short story by Edgar Allen Poe… and in some ways this record is a soundtrack to that.

The title ‘Invisible Threads’ refers to the intangible connection between all of the musical and personal influences that brought this record into being.

Instrumentation/sound sources

Modular synthesizer notably using modules manufactured by Make Noise, The Harvestman & Mutable Audio
Software – Ableton Live, Pro Tools and many plugins – heavily used were Max, Soundhack and Native Instruments’ Reaktor & Kontakt
Sound libraries from Spitfire Audio.
Fender Rhodes piano, Fender Jaguar guitar. Farfisa Organ, Vox continental.
Notably no analogue synthesizers were used on this album – probably the first time I’ve made a record without them since ‘Aurobindo: Involution’ in 1994
A few field recordings made on my very modest Zoom H4n recorder (mainly domestic sounds) made it onto the record
Some ‘found’ sources also are present, mainly from vinyl records and YouTube.

Available to order in Bandcamp now
www.markvanhoen.com

“The Work and the Living”
Thursday 10th May 7.50–9.00PM
Gasworks, London

For the RCA, Curating Contemporary Art event “Who Cares? A radio tale”.
Presented by Jon Wozencroft, Visual Communication/Experimental Communication

resonancefm.com

Fennesz – Station One
2 track digital only release
Order now on Bandcamp

Artwork & photography: Jon Wozencroft

Tracklisting:

1. Tom
2. Silk Road

“Tom” was previously released on the modeselektor vol.3 compilation in 2014. Please see here:
www.monkeytownrecords.com/releases/modeselektion-vol-03/

“Silk Road” (formerly “Silk Lane”) was part of an installation for The Red Bull Music Academy, New York City in 2016. it was only played once in a loop for a whole day and has never been released.

The tracks have been reworked, slightly remixed and remastered at kaiserstudios in Vienna in April 2018.

Fennesz is recording a new album for Touch to be released later in 2018.

Philip Jeck – Arcade
digital only release
Order now on Bandcamp

Recorded live at Iklectik, London on March 23rd 2018. Also playing that night were Yann Novak and Simon Scott
Artwork & photography: Jon Wozencroft

Track listing:

1. Arcade 32.:56 – you can hear an extract here

This show is now sold out

Philip Jeck
Yann Novak
Simon Scott
Touch

iklectikartlab.com

CD – 4 tracks – 78:40 minutes

Release date: 4th May 2018 (North America) | 18th May 2018 (Rest of World)

Track listing:

1. Aeternus
2. Perpetuum
3. Immortalis
4. Semper Liber

‘Semper Liber’ consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad and Anna von Hausswolff and are drawn from recordings made at Spire events since 2009. Mixed by its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen, this powerful 4 track collection – to be played as one piece – explores the sonics of the mighty organ in all its thundering glory. 

***WARNING! EXTREMELY LOW FREQUENCIES (BASS) MAY CAUSE DISTORTION ON HEADPHONES/COMPUTER SPEAKERS!***

Performed on the 1893 Schlag & Söhne organ at Johanneskirken, Bergen; the 1967 Karl Ludwig Schuke organ at Passionskirche, Berlin; the Peter Bares organ, inaugurated in 2004, at Kunststation St Peter, Cologne; the 1885 ‘Father’ Henry Willis organ at Lincoln Cathedral; the 1877 ‘Father’ Henry Willis organ at Union Chapel, London; the Rieger organ at St. Stephan’s Church, Mautern & the 1897 Johnson & Son organ at St. Saviour’s Anglican Church, Riga between 2009 and 2016

The 4 colour plates by the art historian and author Sydney Russell show cave art from 4 to 6 thousand years ago. Taken in Brazil on one of several expeditions she made around the world, these highly emotional works reveal the sophistication and ageless quality of the imagination of the peoples who were expressing themselves at this time; they have been slow to reveal their beauty to us, having survived all weathers; their acoustic soundtrack unfolds slowly, submersive and involving.

Sydney Russell writes: “These photographs were taken in 1976 in Brazil. We eventually obtained minimum radio carbon datings for levels covering the paintings from approximately 3750-2500 BCE. They originate from the rock shelter sites of Sucupira, (Lagoa Santa) and Lapa do Cipo (Santana do Riacho), near Minas Gerais and Quadrillas (Montalvania), Bahia. Please refer to the website for more information.”

Mixed at the Völlhaus
Mastered by Mark Van Hoen
Photography by Sydney Russell
Artwork by Philip Marshall

Editor’s additional note: It really DOES matter what equipment you play this audio work on… I have tried several and there is a huge difference; best results are obtained with a high quality CD + speaker system with separate subwoofer.

Order The Eternal Chord – “Semper Liber” [CD + Download] in Bandcamp
www.spire.org.uk

Today, 11th March, is the official 36th anniversary of the founding of Touch in 1982…

First contact with New Order after their concert at the Newcastle Mayfair on 11th March 1982…

You can follow our progress year by year here…

Download only – 9 tracks – Available from the Touch Bandcamp page

Release date: 1st March 2018

Available from the Touch Bandcamp page

Jon Wozencroft is a Senior Tutor at the Royal College of Art responsible for sound, moving image and photography on the Visual Communication programme, with an emphasis on interdisciplinary structures. He holds monthly, cross-college, sound seminars that explore the invisible aspects of art and design practice.

mailchi.mp/42b0eda17d1c/jon-wozencroft-is-in-wild-air

CD – 4 tracks – 41:28
Gatefold ekopak + full album download

Track listing:

1. Radical Transparency
2. The Inertia of Time
3. Casting Ourselves Back into the Past
4. Nothing Ever Transcends its Immediate Environment

All tracks composed and recorded by Yann Novak in Los Angeles 2017
Vocal sample on “Nothing Ever Transcends its Immediate Environment” by Geneva Skeen
Photography & design by Jon Wozencroft
Mastered by Lawrence English at 158

‘The Future is a Forward Escape Into the Past’ is the latest album by Los Angeles-based multidisciplinary artist and composer Yann Novak, and his second for Touch. It considers the relationships between memory, time, and context through four vibrantly constructed tracks that push Novak’s work in a new direction while simultaneously exploring his sonic past. ‘The Future is a Forward Escape Into the Past’ is composed as a quadriptych – a single gesture broken into four parts – that meditates on the inevitable progression of time, our relationship to the past, and our distortion of the past through the imperfections of memory. The album will be released February 23, 2018 on the London-based label Touch. Available digitally and on CD, the physical version will be packaged in a gatefold sleeve as a limited edition of 500. For more information on the artist and release, please visit www.touch33.net.

The album’s conceptual roots stem from ‘The Archaic Revival’ by American ethnobotanist and psychonaut Terence McKenna. In it, McKenna theorizes that when a culture becomes dysfunctional it attempts to revert back to a saner moment in its own history. He suggested that abstract expressionism, body piercing and tattooing, psychedelic drug use, sexual permissiveness, and rave culture were proof of this default to a more primal time. The text’s idealism was influential to Novak in the ‘90s, but today the theory bears a darkly-veiled resemblance to the rise of nostalgia-driven nationalism. Regardless of whether one agrees or disagrees with the signifiers of a ‘better time’ – McKenna’s idea highlights our propensity for selective memory, seeing history through the lens of memory instead of fact. On ‘The Future is a Forward Escape Into the Past’ Novak looked back at his own older works through this lens as inspiration.

“For this album I was interested in expanding into a more emotive compositional style and palette. In doing so, I was reminded that this was territory I had covered early on in my career — the whole process became a way to reconnect with my own past and history.”

The Album’s four tracks dynamically shift and surge, where time is rendered as material and momentum compels it into movement. Subtle distortion throughout the album ties the tracks together and echoes techniques explored in Novak’s ‘Meadowsweet’ (Dragon’s Eye, 2006). Tension gives way to a halcyon vision of place in “Radical Transparency,” immediately followed by the austere swells of “The Inertia of Time,” a piece that captures the twin impulse of generating optimistic beauty in harshly muted tones. Both tracks introduce subtle bass swells and stabs reminiscent of ‘In Residence’ (Dragon’s Eye, 2008). From there, the album grows darker with “Casting Ourselves Back into the Past,” and “Nothing Ever Transcends its Immediate Environment,” two icier tracks that preserve the album’s core: a layer of something long since passed that locks us into the very moment we inhabit. The latter introduces a processed vocal sample of Geneva Skeen, similar to Novak’s collaborative work with Marc Manning on ‘Pairings’ (Dragon’s Eye, 2007). The album is a study in perception and alteration, manipulation and awareness, effectively capturing Novak’s command of emotional texturing.

You can order Yann Novak – “The Future is a Forward Escape into the Past” [CD + Download] in Bandcamp now
www.yannnovak.com

February 23rd @ Human Resources, Los Angeles, USA
Curated by Mike Harding & Yann Novak

To launch the release of Yann Novak’s second album for Touch, a live event will be held at Human Resources on 23rd February in Los Angeles.

Touch Presents…
Jasmin Blasco
Robert Crouch
Garek Druss
Jake Muir
Yann Novak
Zachary Paul
Geneva Skeen
Byron Westbrook

Order Yann Novak – “The Future is a Forward Escape into the Past” [CD + Download] in Bandcamp
www.yannnovak.com

humanresourcesla.com/event/the-future-is-a-forward-escape-into-the-past/
www.facebook.com/events/164373797520853/

The news that Jóhann Jóhannsson has died hits hard. He configured a personal and progressive spirit, making a bridge between experimental music and Hollywood, for whom success was always subjugated to a humble awareness. Above everything he was a friend, a lovely person to work with. In his short career, he changed the way the world thinks about alternative music, then film soundtracks, and had this exceptional talent to merge classicism with noise and disturbance.

But to start earlier than Friday’s appalling news…

In Summer 2002 we finished production for Jóhann’s first release for Touch, his first outside Iceland and the Kitchen Motors project – “Englabörn”. It was Andrew McKenzie, the two of them still living in Iceland, who introduced us and encouraged us to release it. Jóhann is on record as saying how much he owed to McKenzie’s presence in Iceland, being an education and catalyst for his work. Then, in turn, it was Jóhann who suggested we work with Hildur Guðnadóttir and so a continuing light shines through our story.

The situation changes, ambitions become unaffordable financially, so it was part of the sequence that Jóhann moved into the next dimension, first recording for 4AD and being supported by Forma for live events, and latterly recording for Deutsche Grammaphon and winning multiple awards.

While he only released his first two albums with us (“Englabörn” in 2002 and two years later, “Virthulega Forsetar”), Jóhann always remained close to our operations, contributing new compositions to “Touch 25” in 2006 and the more recent “Touch Movements”. One of our favourite moments was when he expressed his joy after a live performance of “Virthulega Forsetar” at Ultima, Oslo in 2005. All who were there will never forget it – or him.

Jóhann’s work has made a huge impact on various films, we don’t need to list them here. We remember his sensitive soul… His dedication. It is easily heard, in the great work which will last beyond a lifetime.

[Photo: Front cover for “Englabörn” CD and vinyl editions. Taken in Sicily in April 2001, the Strait of Messina. To be rereleased as “Englabörn Variations” by Deutsche Grammaphon later in 2018.]

76pp full colour book + CD
33 tracks – 78:59
Limited edition of 1000

Release date: 11th December 2017

Track listing:

Into the Open
Mika Vainio – Behind the Radiators
AER – Just Before Dawn
Bethan Kellough – Twelve
Wire – A Year A Second [For BCG]
London in a Week
Carl Michael Von Hausswolff – Sine Missing One
Chris Watson – Deepcar
Jana Winderen – Bronx Tunnel
The Magical Land of the North
Claire M Singer – Storr
Hildur Gudnadottir – Death 200AD
Three 20 – Four Twelve
Philip Jeck – Deed of Gift
Walking on Water
Simon Scott – Storm of the Fens
Eleh – Overt One
The Love Train
Russell Haswell – Demons
Heitor Alvelos – Expectant
I’m a Schoolteacher on Holiday
Johann Johannsson – Mingyun
Mark Van Hoen – Prescient
Fennesz – Paint It Black (remastered)
Sohrab – JV Dream
It’s Enough to Make You Weep
Strafe FR – Virgin
Before The Sea @ Falasarna
Jim O’Rourke – Despite The Water Supply
Situation Stabilised / BJ Nilsen – Atom Mother
Peter Rehberg – Cinecom
Gateway to the Garden
Oren Ambarchi – Testify
The Sound of Eleven

In a 24/7 world there is no greater challenge than “to be in command of one’s own time”. Is it true that the ability to download anything, at any moment, constitutes freedom? Has the ‘value’ of music, art and design been stripped bare? “I Google, therefore I am”…

Touch MOVEMENTS has been compiled over the course of 3 years. It is a response to many requests for Touch to publish a fuller account of Jon Wozencroft’s photography for the cover art of the project. The book follows the music, which was compiled step-by-step, like a jigsaw – there was not an “open call” to the artists, rather a sequential development which gives the CD a special narrative quality. And since our last Touch 30 compilation in 2012, the accuracy of the music has grown and rises to the challenge of what sound can do to transform perceptions about the immediate emotion of musical work and its more difficult, longer term evolution.

Following Touch Folio 001 in 2015, this series is a dedication to finding new ways of audiovisual publishing, somewhere between the twin peaks of a jewel-cased CD and a lavish box-set. The two elements of sound and the visual work in parallel to create the idea of an “Ear-book”, whose interdependency reveals itself over time, and allows the richest of listening and viewing experiences. The music and the photography is fully annotated, alongside a rarely-seen manifesto by the Surrealist film-maker Jan Švankmajer which celebrates the spirit of the creative act.

Order FOLIO 002 | Various Artists/Jon Wozencroft – “Touch Movements” [76pp Book + CD] in Bandcamp

It is with great sadness that we learnt that Z’EV passed away on December 16th 2017.
His long collaboration with Touch outlined for us a way of staying fiercely independent
– he was and always will be a true original.

Rax Werx “In the Compound”, from ‘One Foot in the Grave’ [Touch # TO:13, 1991]

Featuring artists and tracks from the Touch catalogue stretching back over 35 years, Mike Harding has compiled a 2 hour radio mix for Camp (“Next level arts residencies”)

Here is the track listing:

Sohrab – Himmel Über Tehran
Bethan Kellough – Canopy (extract)
Fennesz – Glide
Claire M Singer – A Different Place
Robert Crouch – Sublunar (extract)
Philip Jeck – Tilting
*
Chris Watson – A recording from Embleton Rookery
Soliman Gamil – Sufi Dialogue
Marcus Davidson – The Passing
Yann Novak – Ornamentation (extract)
Hildur Gudnadottir – Erupting Light
*
Jana Winderen – Scuttling Around in the Shallows
Oren Ambarchi – Salt
Rosy Parlane – Iris part one
Pece Atanasovskog – Postupano Oro
Strafe für Rebellion – In Egypt in the Month of May
*
Bruce Gilbert – Sliding Off the World
Pan Sonic – Slovakian Rauta
Tanja Orning & Hild Sofie Tafjord – Live at Blå, Oslo
Hazard – Church
Ryoji Ikeda – op. 1 IV [for 9 strings]

mixcloud.com/camp_fr/inaugural-session-touch-30th-september-2017/

CD and download – 1 track
Sold out at source – digital available on bandcamp

Release date: 22nd September 2017

Artwork and photography by Jon Wozencroft
Recorded and mastered by Jeff Ardron of St. Austral Sound

The 6th in the series of limited edition compact disc live recordings (after Thomas Köner & Jana Winderen, Simon Scott, Bethan Kellough, Yann Novak, Robert Crouch) brings Philip Jeck live at Iklectik, London.

Philip Jeck studied visual arts at Dartington College of Arts in the 1970’s and has been creating sound with record-players since the early 80’s. He has worked with many dance and theatre companies and played with muscians/composers such as Jah Wobble, Steve Lacy, Gavin Bryars, Jaki Liebezeit, David Sylvian, Sidsel Endresen and Bernhard Lang.

He has released 11 solo albums, the most recent “Cardinal”, a double vinyl release on Touch. “Suite”, another vinyl-only release, won a Distinction at The Prix Ars Electronica, and a cassette release on The Tapeworm, “Spool”, playing only bass guitar. His CD “Sand” (2008) was 2nd in The Wire’s top 50 of the year. His largest work made with Lol Sargent, “Vinyl Requiem” was for 180 record-players, 9 slide-projectors and 2 16mm movie-projectors. It received a Time Out Performance Award. Vinyl Coda I-III, a commission from Bavarian Radio in 1999 won the Karl Sczuka Foderpreis for Radio Art.

Philip also still works as a visual artist, usually incorporating sound and has shown installations at The Bluecoat, Liverpool, Hayward Gallery, London, The Hamburger Bahnhof Gallery, Berlin, ZKM in Karlsruhe and The Shanghai and Liverpool Bienalles.

Philip Jeck has won the Paul Hamlyn Foundation Award for Composers 2009. A presentation ceremony took place at The Royal Institute of British Architects, London, on 9th November 2009.

He has toured in an Opera North production playing live to the silent movie Pandora’s Box (composed by Hildur Gudnadottir and Johann Johannson).He has also worked again with Gavin Bryars on a composition “Pneuma” for a ballet choreographed by Carolyn Carlson for The Opera de Bordeaux and has recently made and performed the sound for “The Ballad of Ray & Julie” at the Everyman Theatre, Liverpool.

Order Philip Jeck – “Iklectik” [CD (sold out) + Download] in Bandcamp now
www.philipjeck.com

Vinyl LP
Limited Edition 500

Release date: 20th October 2017

Written & recorded by Carl Michael von Hausswolff
Artwork & photography by Jon Wozencroft & Carl Michael von Hausswolff
Mastered by Jason at Transition

Conceptualised (2010–2013), composed and produced (2014–2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. This musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden.

‘Still Life – Requiem’ consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests, a requiem and it’s contents are solely composed by sounds captured from a specific physical solid state material. The composer has used a technique called ’emission spectroscopy’ whereby the frequencies generated from the material was analysed and transferred into, for humans, a listenable pitch (between 15 and 14000Hz). This captured organic sound material has been stretched, looped, equalised and composed to produce the recording.

A requiem is a piece of music dedicated to certain sole or several restless souls that wander our worlds looking for a place to call home. A requiem radiates calm, peace and perhaps comfort for tormented spiritual beings – it’s a piece dedicated to promote and insert tranquility and transcendence.

This requiem also provides the listener with a certain feeling of connection – perhaps a connection with the unknown and with the energy field clusters and mental abilities of post-mortem life forms that would be the incorporeal essence of a living being.

CMvH (born 1956 in Linköping , Sweden) has a long history within the communities of contemporary music and visual art. His first records was released in early 80s while the most recent saw the light just a few years ago (‘Squared’ [CD – Auf Abwegen, 2015]). In recent years he has been collaborating with Leslie Winer (‘1’ [LP – Monotype 2016]) and Hans-Joachim Roedelius (‘Nordlicht’ [LP – Curious Music, 2017]).

He has also instigated and curated the collective sound-installation ‘freq_out’ during 2003 – 2017, which includes artists such as Jana Winderen, JG Thirlwell, Finnbogi Petursson, Christine Ödlund and others.

Order Carl Michael von Hausswolff – “Still Life – Requiem” [VINYL LP] in Bandcamp now
www.cmvonhausswolff.net

CD and download – 1 track

Release date: 20th October 2017

Written & performed by Claire M Singer
Mastered by Denis Blackham @ Skye
Photography & design by Jon Wozencroft

Release date:
Barcode: 5050580677739

Recorded by Clare Gallagher at Oude Kerk, Amsterdam, 12th June 2017 on the transept organ built by Ahrend & Brunzema (1965). ‘Fairge’ was commissioned by Oude Kerk for ‘Silence’, a concert series curated by Jacob Lekkerkerker.

Fairge, meaning ‘the ocean’ or ‘the sea’, is very much a companion piece to Claire’s solo album, ‘Solas’ (Touch, 2016), about which The Quietus wrote: “…something very special indeed – each piece is timeless and genuinely magical” and Norman Records asked “Why have we had to wait this long for this excellent sound to be recorded and released?”

Order Claire M Singer – “Fairge” [CD + Download] in Bandcamp now
www.clairemsinger.com

Touch Presents…

Philip Jeck
Claire M Singer
The Eternal Chord

The Friedenskirche, a church in Eupen, will be host to the “Touch Presents…” program, featuring two organ concerts by Claire M. Singer and The Eternal Chord and a live performance by Philip Jeck. Claire M. Singer’s 2016 debut Solas spans 14 years of her work in acoustic and electronic composition. Together with Mike Harding, she is also a member of The Eternal Chord, a project that focuses on the sonic power of the organ. Philip Jeck started working with record players and electronic instrumentation in the 80s and is renowned for his soundtracks, music for theatre and dance companies and solo concert work.

www.meakusma.org